“Well I’ll tell you one thing that I know.
You don’t face your demons down, 
You gotta grapple ’em, Jack, and pin ’em to the ground.”
–Joe Strummer, “Long Shadow”
Every June, I go to a conference in the mesa country in northern New Mexico. There’s a couple hundred people of all ages, no cell phone signals, sleeping in rustic cabins that have spiders and occasionally rodents, bitey juniper gnats, no cars. It’s great.
The high school and college aged kids stay together in their own building, and most of the rest of us only see them at mealtimes or maybe for an hour or two a day. They do their thing, and their thing is good. In less than a week they assemble and foster a community so strong it carries them the rest of the year (or at least it did, when I was part of that group, and I see no signs that it’s changed with the passage of time. If anything, the creation of social media has helped them keep the community connected over the rest of the year). This year, even though I never saw the kids for more than an hour or two a day, I found myself buoyed up every time I was with them or thought about them. They are such a great and fantastic group of kids (they are not all kids, as the age group goes up to about 22, but I considered myself a kid when I was part of the group and the terminology stuck). Strong and funny, grappling with the world, struggling and dancing and listening to each other. They’re not angels, they’re just regular human teenagers, and they amaze me. I am in awe of them even though/because I know they struggle. I know some of them have mental health issues or substance abuse issues. General life-as-a-teenager issues. Some of them have lost dearly beloved family members, and that shreds you at any age. But they’re stunning people all the same.
It’s hard to even try to describe how happy they make me, partly because there’s no way to do it without sounding hokey, and partly because I’m afraid that if they knew how much someone was watching and enjoying them, it would make them feel self-conscious and weird and they would stop being so fabulous. But they’re the light of the world, okay? They’re great and amazing. I see differences in how I was as a teenager/young adult and how they are now and they are so far ahead of me and so wise. I can’t wait to see these kids run the world. That’s what I was thinking that week, six months ago, in June 2016.
And then on the drive home, still going in and out of cell service, I started checking Twitter and Reddit and found out about the shooting in Orlando that had happened the night before. And just like that, all my rosy and optimistic thoughts about The Youth, they all evaporated, replaced with dread and sorrow and regret.
Because I was supposed to make this world safe for the queer kids of the future, black kids of the future, Latino kids of the future, Muslim kids of the future. I was once The Youth, and I charged myself with changing the world. But I haven’t. We haven’t. Shit like Matt Shepherd’s murder and the shooting at Columbine, those were supposed to be the high water mark of shittery. Not the floor. Michael Brown’s death, Trayvon Martin’s—hell, Emmett Till’s—were supposed to be the cultural turning point. Not the beginning of a new season of violence on black men. And now we have these beautiful kids—queer and not—that are going out into a world that isn’t safe for them. And what do we do? What do I tell them?
So I’ve been carrying that around with me, trying to figure out how to write about it, trying to find some wisdom, and in the meantime 2016 carried on being the oozing Vogon of a year that it is, and now it’s December and some aged orange troll is going to be president and it’s so much worse. I admit that I was one of those who was just waiting for the election to be over, because I assumed that Clinton would win and we could all move on with our lives. I did not give one second of thought to what would happen if Trump won. (This is, incidentally, me showing off my White People Problems, because when I read post-election reactions of PoC on Twitter, I was reminded that African-Americans—particularly older African-Americans—have always known just how racist America is, and that white people still don’t know.) A bunch of old white people who will die before the world fully catches on fire have burdened us (and the world) with a 70-year-old man-baby who may very well destroy the country and/or the planet and/or all the civil rights gains we’ve spent the last 100 years trying to attain, and we’re going to be paying for that decision for decades. Now it feels like I have to fight the battles of my mother and grandmother all over again. And I still don’t know what to tell these kids, these kids who don’t even know how amazing they are.
In my worst moments, I think that maybe we should be raising our kids to be harder. If I had less of a “saving people thing” (as Hermione puts it), if I didn’t care so goddamn much, this wouldn’t be so hard to live through. I know there’s some that do that, that teach their kids to encase themselves behind walls so that the world can’t crush them. But then, I don’t know the difference between hiding your light and extinguishing it. Maybe there isn’t one. I don’t know. I don’t know what to tell you, you beautiful kids. I’m sorry. I wanted the world to be different. I assumed it was different. Getting bruised by the world is inevitable, and nobody can keep you safe from that. But now I’m worried that you might just get crushed, and that’s different.
I don’t know what to do to survive this, to fix it.
I had a conversation with a friend of mine when we were 17 or so. She’s social justice-y like me, and in our fabulous teenage naivete we both felt like the larger historical battles against injustice were done. Slavery had been abolished, Jim Crow was over, women could vote and have abortions. It seemed like the last big cultural battle left was gay civil rights, and then after that we’d just mop up some of the leftovers that hadn’t 100% gotten the message about how we do things now, places like Jasper, TX. But, we thought, we could relax. It was done. We just had to finish what had been started, tackle the totally surmountable problems of injustice in Palestine and famine in Africa, and we’d be good. The world would be good.
But progress isn’t inevitable. I learned that this year (more importantly, I learned that that was a thing that I thought was true). There is no moral arc of history, there’s nothing about our culture or species that says we can’t also go backwards, erase everything we did fifty years ago. There’s nothing in our culture or history that is assured. We are stuck in this shitshow for the duration. Water goes over the wheel and right straight back into the same fetid pond.
I don’t know if it’s a silver lining, precisely, but there is one small comfort in the whole “progress is not inevitable” truth: we need you. We won’t be okay without you showing up and demanding better of us. You can’t sit this one out because on some lower level you think it’ll happen with or without you. It won’t happen. We won’t move forward.
So do the thing.
Write the story. Go to the protest or the city council meeting. Start the band. Sign the petition. Plant the garden. There are millions of things that won’t get done unless we do them.
One of my favorite shows is The West Wing. And one of the most famous and quoted pieces of dialogue, from anywhere in the whole series, is in the second season, when Leo (the White House Chief of Staff) convinces Josh (the Deputy Chief of Staff) that it’s okay to need help. That it’s okay to not be okay. This is the story that Leo tells Josh:
This guy’s walking down a street when he falls in a hole. The walls are so steep, he can’t get out. A doctor passes by, and the guy shouts up, “Hey you, can you help me out?” The doctor writes a prescription, throws it down in the hole and moves on. Then a priest comes along, and the guy shouts up “Father, I’m down in this hole, can you help me out?” The priest writes out a prayer, throws it down in the hole and moves on. Then a friend walks by. “Hey Joe, it’s me, can you help me out?” And the friend jumps in the hole. Our guy says, “Are you stupid? Now we’re both down here.” The friend says, “Yeah, but I’ve been down here before, and I know the way out.”
I’ll be honest: I don’t know the way out of the hole. I don’t know if anyone really does. What the United States is trying to accomplish, has been trying to accomplish since our infancy, is knit together many disparate groups into one cohesive and just whole. It’s not something that’s ever been successfully done, on a large scale, in the history of the world.
But I’m in this hole with you. Because you’re my friend. The rest we’ll figure out together.

Don’t Worry

15Dec16

aleppoI’ve been reading accounts of what’s happening in Syria on Twitter and this person’s tweets stood out to me because they sound like poetry, in the best and worst and most heartbreaking way. They can be found @AmalHanano and wrote all of these words. I just re-typed them.

 

Don’t worry. Soon images and videos will stop coming out of #Aleppo. We will stop bombarding you with our gruesome images and horrific stories.

Soon #Aleppo will fade to darkness. Soon you’ll hear only one story once more. You’ll no longer be “confused” on what’s going on in #Syria.

Soon you will be told a simply narrative of a secular government with a westernized president who was fighting terrorists. And finally won.

They will say, we only killed the bad ones. They will say, the rest love us. They will show you a sea of flags and deafening chants. And say,

“Do you see now? We told you.” And you will say, “Now we understand.” And you will know nothing.

When the videos and images stop coming out of Syria, you should be terrified. It means that public genocide has become private once more.

We know what it’s like to live in silence. In darkness. With our truth buried within us. We will slowly learn to go back to that existence.

But don’t think we will ever forget these years. When people paid with their blood to speak their truth. You should never forget either.

 

@AmalHanano


10Nov16

This is going to be one of those times when I type and post without a whole lot of “simmering time” in between to let my thoughts settle.

I realized this morning that my election hangover is looking a whole lot like how I remember my last major depressive episodes in New York (and that hangover from those is still ongoing). I keep having to remind myself what day it is, what my life expects me to get done. I’m easily frustrated, especially when I’m in transit. I don’t want to hear the news. I don’t want to talk to people. I want to eat sugar instead of actual nutrition. I fall asleep at 8:00 and wake up at 6:30 and don’t feel like I’ve slept (that might be partly the time change). I have Amazon open in another tab on my browser right now, but I don’t remember why I opened it or what I intended to buy (I totally intended to buy something.) I’m getting caught in little obsessive tasks that I have to get done or everything will suck but it won’t get done and I can’t think clearly enough to problem solve or take perspective so I keep doing and doing and doing while my train of thought unravels further.

So. I guess I’m still a little early in this processing game. I did not think that Trump would win. I didn’t even entertain the possibility. I woke up on Wednesday feeling wrung out and couldn’t remember why for a few seconds; then I remembered that I’d spent a lot of Tuesday night crying. And then I remembered why I was crying, and, well.

I just want to watch Chopped and re-read Harry Potter and cuddle my dog and not a whole lot else. But I’m not sure where the line is between self-care and wallowing. A lot of my friends (on social media and in real life) are gearing up to fight, to protect each other. And I love that. And I want to be that. But I fear that I’m just not a fighter, and never have been. I’ve never been a get-out-and-protest sort. So I’m struggling to find what I can do, without feeling like a cop-out, but I haven’t gotten there. I don’t want to be the lame unhelpful weepy white woman. I don’t want to be the person who agrees in spirit but then doesn’t step up when I’m needed. I want to be there for my friends. The line between self-care and privileged opting-out is a thin one. I’m also walking the line between chaotic over-exposure to news and hurtedness and hiding under my covers. I keep waiting for clarity, for impetus, but my sneaking suspicion is that I’m going to have to find it on my own and I’ve never been good at that.

So I don’t know if I can hit the streets. I can write, and I can talk online, but that feels so small and petty and useless. I don’t want to get used to this new world. I don’t want to keep fighting these fights. I don’t want to keep having the same discussions and arguments about privilege that I was having a month ago. (This is part of my perspective from my own privilege, I guess: I was having these conversations a month ago, and I’m still having them today, even though the world feels different, the world is the same. Nobody is surprised by the racism of white people except white people.)

I kinda like the fighter who’s telling himself to get up off the mat even though his head’s spinning and his vision is black at the edges and he can’t feel his limbs. But I have to get up because behind me are people who are hurting so so so much worse.

Okay. Onward. Might be back with something more coherent and less pathetic later.


westwing“You have to know what the stereotypes are in order to avoid those stereotypes.” –Jonathan Green, Visual Director for 2016 Porgy and Bess revival

I’ve been listening to The West Wing Weekly, a podcast in which the two hosts watch one episode of the West Wing each week and discuss it. (Side note: If you like political drama at all, The West Wing is totally worth your time.) The hosts are Josh Malina (who also starred in the show starting in the…fourth season?) and Hrishikesh Hirway, who also hosts the podcast Song Exploder, and they regularly bring in former castmates and writers to talk about their experiences on the show. One of the people they talked to during the first season was Janel Moloney, who played Donatella Moss, Josh Lyman’s secretary. And she said something that got me thinking.
Basically, from day one, one of the things that Janel put into Donna’s character as a primary motivating factor was the idea that Donna was in love with Josh. Episode directors independently came to the same conclusion early on and planted the seeds of Josh’s love for Donna, but for most of the series, these feelings were only ever implied, not acted upon. And Janel noted (almost casually) that even though she knew that Donna was in love with Josh, she was not eager to have that story play out, because as soon as it did, Donna would lose a lot of avenues for where her character could go. If Donna and Josh started dating, that would be the end of Donna’s story, because she would have to quit her job, and of course Janel would lose her job too. Later (after Janel became a cast member, instead of just a recurring character), the character of Donna got new arcs and grew a lot as a person. But early on? Dating Josh (the most obvious storyline that basically everyone wanted) was the worst possible thing that could happen to Donna.
Sharon Lawrence, who played ADA Sylvia Costas on the 1990s police drama NYPD Blue (which is also totally worth your time), said something similar. She was cast in the pilot, in what was not supposed to be a recurring role (kind of like Janel Moloney, now that I think about it), but was brought back as a recurring character and potential love interest for Detective Andy Sipowicz, and eventually became a cast member. And I love Sylvia Costas the character. She’s smart, she’s outspoken, she doesn’t let anyone push her around. She faces her fears and doesn’t let them rule her life. She’s one of the few female characters in a male-dominated show (and a female professional in a male-dominated profession), and she’s this wonderful shining light of femininity and strength. But once she married Andy Sipowicz–and especially after they had a baby–she faded away. As Ms. Lawrence put it, the mystery of her character was basically solved by her marriage to Sipowicz, and there wasn’t much place else for her to go, so she was written out. (I hope I’m remembering what she said correctly, it was an interview that she did for a DVD extra for one of the NYPD Blue DVD sets, which doesn’t seem to have made it to YouTube). Her femininity, her female-ness as a character, worked against her, even though they told a story for her that millions of women have experienced: Sylvia had a baby and then went back to work, and then wrestled with her desire to stay home with her kid instead, and eventually decided to do that, before going back to work as an ADA much later. And that’s something that a lot of parents (moms and dads) struggle with, and it was nice to see it depicted on screen. But it was also a shame to lose such a wonderful character.
By contrast, Jill Kirkendole, a female detective on NYPD Blue, was a mom from the beginning, and a love interest to basically no one (she dated a male ADA character for awhile but I don’t remember that being a primary arc of the show, just something that was sort of happening in the background). From her very first case in the squad, her experience as a mother was something that informed her work as a detective, gave her an ability to read people and understand them. Gave them a way to understand her, too, when she was trying to get information out of somebody. Her experience as a mom informed her work as a detective in a way that Greg Medavoy’s status as a dad never seemed to inform his. She also made friends with another female member on the squad (Diane Russell) and that allowed for some female energy and Bechdel-passing episodes.
It’s one of the things you don’t think about in stories until you’ve seen and read a lot of stories: The bones of so many stories are the same, and the beauty shows up in the way that they’re told. And sometimes it’s just the nature of the stories, the nature of narrative. Joseph Campbell has examined this to an extensive degree in books like The Hero With A Thousand Faces. I remember learning in high school about the seven different types of stories (man vs man, man vs world, man vs self…I forget the other types). There’s a certain amount of same-ness, or of parallel-ness, that’s unavoidable. But then there’s the same-ness that’s bad and unhelpful. Why are so many brown-skinned characters terrorists? Why are so many black male characters drug dealers? Why are so many white women mothers? Why do so many fantasy books take place in a feudal English Tolkien-esque landscape?
Representation matters, as I’ve heard over and over on the internet. And it does. There are so many different stories being lived right now, so many people having so many different lives. They all deserve to be a story, to tell their story, to see their story (in one way or another) represented in popular media, whether that’s a television show or a comic or a novel or a video game or a history book. Our capacity to speak for ourselves is enhanced when we see characters who go first, who speak our stories for us, who validate our existence and experience. But in the obverse, our capacity to empathize is enhanced by knowing another person’s story. This is to say, diverse stories don’t just matter to marginalized people who need more stories like theirs. Speaking as a white person, reading stories about and essays by and tweets of people of color has helped me alter my perspective enormously when it comes to the question of racism and race in the United States. Were those stories written for me? No, not always. Maybe almost never. But art and stories make eavesdroppers of all of us, and Junot Diaz and NK Jemisin have taught me things that I never would have had occasion to know otherwise.
The thing about representation is, for me at least, it’s almost never an obvious thing. Maybe this is because I can find stories that are close enough to me to get by; maybe it’s because I tend to be a little oblivious to subtleties. But you go through life, not necessarily cognizant of what you’re missing, until someone smarter than you comes along and shows you this character, and you didn’t realize how badly you needed to see this thing that you didn’t know existed. Who knew I needed somebody like Amy Farrah-Fowler on The Big Bang Theory? (At least up until she started falling in love with Sheldon, at which point I lost interest in the entire series.) Who knew how badly I wanted to meet Jessica Jones, before she arrived? Certainly not me. Why have I been so fixated on needing a Black Widow movie? I’m not even entirely sure, but apparently there’s a gap in my life that only Scarlett Johansson can fill.
I’m tired of female characters who stop being on television the minute they become mothers. I’m tired of female characters whose primary story arc is falling in love with the leading dude. One of the reasons why I love The West Wing is the fact that it largely resisted those tropes for most of its run, and as a result, many of the female characters from the first season survived all the way to the last. As I try to get back into writing my own fiction, I don’t know how much I’ll fall into these tropes myself because of failures of imagination and empathy, or how much I’ll be able to dodge them just because I’m a different person writing different stuff. Nobody wants to think that they’re writing stereotypes, and yet somehow our collective artistic unconscious ends up full of stereotypes. Sometimes we don’t even know they’re stereotypes until someone cracks them open, like an egg, and reveals they’re hollow.

The Remains

28Sep16

resoundpidgey

One of the things that has repeatedly come up for me recently is the stories of the people left behind by violence. One of my friends reposted something written by one of a teacher at the school that Terence Crutcher’s child goes to (Crutcher is one of the black men killed by police recently). The effects that this child’s father’s death is having, not just on his daughter, but on the whole school regardless of how well they knew Mr. Crutcher. How does a group of kids make sense of such a thing?

And then I listened to a podcast of an Australian radio show that told the story of a woman investigating her family history, particularly that of her grandmother, who died from a botched abortion in the 1930s. And for all the political discussions we have about abortions and the women who get them, we don’t (on either side of the debate) talk enough about the women who get them and why. About the consequences of losing your mother that way. About the consequences of knowing this thing about your family, this thing that you may never be able to say out loud to other people.There’s so many ripples of pain in the world that we never ever talk about.

I wanted to share, at least, the Third Coast podcast show. It’s worth listening to. It’s hard to listen to, but it’s worth listening to. You can find it on iTunes or some other podcasting service to download it, or you can stream it here.
.


babyotterSay hello to the random baby otter that I downloaded from somewhere on the internet and put into my pictures folder and then forgot about.

So, life has clearly been getting in the way a little bit, and I need to build my writing habit back up. This entry is partly a placeholder and a statement of intention, and partly a public service advisory, in case anyone reads this at all: This blog might suck for a little bit.

I’m remembering when I was good at updating my blog, and what’s going on in my life then–and when I’m bad at updating (or keeping up with life generally) and what that looks like. And one of the things that it looks like is general fear of failure, of being self-conscious, and of knowing that I can do better. There are times when I can’t do anything because the fear of doing something badly is worse than the fear of not doing anything at all.

So, this isn’t going to become like my old livejournal or anything, where I habitually made entries that were one or two sentences long (I have Twitter for that now). But I may make more entries that make you go, “Why did she think we’d be interested in this?” And the answer is, I don’t think you’re interested. I need to just…not worry about writing things that are interesting, and just write things. So, bear with me. And sorry about that.


This is the final installment of my four-part series on a concert festival I went to when I was twenty. For the first entry, along with a more detailed explanation of why I’m posting such a thing, go here.

I Ran All The Way Home (Doo wah doo wah doo)

The conversation the next morning consisted almost entirely of groans of exhaustion and pain. We were all sunburned (I think Dan, Joe, and me took prizes for the worst), and Andy had sprained his ankle somehow, and the everyone was sore from eight hours of dancing and standing on concrete. We all wanted to go home and talked Dan out of bungee jumping, but had to stop for souvenirs at the World’s Largest Souvenir Shop, and eat breakfast (steak for breakfast! Okay then, Vegas) so it was past 10:00am by the time we got going.

Conversation faded in and out, mostly restricted to what needed to be talked about. We would stop for gas and get out and talk a bit and get revived, but as soon as we got back in the car the conversation would fade away. We were all tired and kind of cranky, too tired even for post-ska exuberance. But it was stored away, we’d take it out and think about it and then put it away.

“We should do this again next year, only spend more time in Vegas.”

“Catch 22 needs to play next year.”

“And the Mad Caddies. And Less Than Jake.”

“And the Pietasters.”

“And the Smooths. Well, if they got back together.”

“Or did a reunion show like Attaboy Skip this year.” (If there’s any former members of the Smooths reading this, one more tour, please, just one.)

We got through Utah without incident, hitting 128mph in Andy’s car and passing a van that had “Ska Summit 2003” written on the back window in soap. As soon as the sun sank behind Utah, I fell asleep.

 

One Week Later

April 6, 2003

I finally got a decent night’s sleep on about Thursday (we’d driven back to Denver on Sunday). I’m writing this sitting at Action Shot’s band practice. Life is back to its regular routine. I told everyone my Ska Summit stories, but left out the total exhaustion part because that’s not what sticks in your head. The image that comes to mind is the Toasters onstage, Bucket (guitar player/lead singer) bobbing back and forth on the balls of his feet like he does, his eyes shut against the bright stage lights; Jack Ruby (other lead vocals) rolling around onstage and throwing things at Sledge. Sledge looking angry and then, at the last minute, breaking into a grin. Dave Waldo, the keys player, hoisting his keyboard onto his shoulder like a boombox. The saxophone player and the trombone player dancing, holding their horns away from their bodies; the people around me gently bumping shoulders as we danced.


This is part three of a four-part series on a concert festival I went to when I was twenty. For the first entry, along with a more detailed explanation of why I’m posting such a thing, go here. Part two is here.

Ska Summit

March 29, 2003

So many kids. So many checkers! Checkered hats, checkered pants, checkered shorts, checkered capes, checkered backpacks. Good lord.

By the way, if you haven’t tried it, saying “checkered” over and over a way is a pretty good way to lift your spirits. It’s just a fun word to say. Like spork. And quark.

There’s one thing that always makes me wary of large, outdoor music fests and that’s the mosh pits. Generally speaking, the more mainstream the concert, the worse the mosh pit. Warped Tour pits are the worst. I have a friend who broke three ribs and almost had to have her spleen removed after she fell in the pit at an Offspring concert and nobody helped her up. I like being in a mosh pit and fucking shit up, but I don’t like being in a put where people think it’s all about hurting each other and don’t help you up if you fall. That’s not a fun pit.

My other beef is that lately, at least in Denver, there has been a severe shortage of skanking at ska shows. I went to the Toasters/Selecter/RBF show and there were drunks trying to mosh to the Selecter. For crying out loud. And the thing that sucks is that the two or three people who want to mosh can disrupt dozens of people who want to skank.

But neither of those were present here. A few thousand people, at least, all knowing how to skank. All the skanking! So much skanking!

It’s a Small World After All

So, here you are. Seven hundred miles from home. In a city you’ve never visited before. And suddenly, out of the crowd, you hear your name. You’ve got to be kidding me, I thought. But sure enough, out of the crowd came Doug, lead singer of the Accidents, a ska band in Denver that Dan and Andy’s band, Action Shot, has played with a bunch.

“Holy shit, what are you doing here?” he asked.

I looked around at all the ska kids. “I’m doing my income taxes,” I said, grinning. “What’re you doing here?”

I ran into other kids too, another one from the Accidents and two from the Rightaways, another Denver ska band. It was then that I realized that the ska is such a small world, and everyone knows each other, even hundreds of miles from home. Ska (tiny, maligned ska) is important enough that people come hundreds–hell, thousands–of miles to attend, and then find themselves right back at home, among people they know, in the same community they thought they’d left behind. Funny that some crushed, hot, crowded piece of grass and skating areas and temporary stages and tents could become a community, but it did, for a few hours, anyway.

 

Overload! Pleasure Overload!

 

After we got into the show, we wandered around for awhile, scoping out the booths, buying merch, getting free stuff, pretty much just figuring things out, looking to see where stuff was. Dr. Octopus was on one of the backstages. They were really good, very catchy, very snazzily dressed.

Around noon, we all gathered in front of one of the big stages (as a group, we kept separating and then finding each other again, usually near one of the big stages) and looked at the schedule that Kyle had in his backpack. “Who’s up next?”

“Well, Let’s Go Bowling is on that stage at 1:00…and the Skeletones are on that stage at 1:00…then Fishbone, then Mustard Plug, then the Voodoo Glow Skulls, then Monique Powell…”

Oh my God, I thought. I had to cover my face for a moment. I am seeing all these bands. Today. If I didn’t go to another concert all year….Up until that moment, I don’t think that it had truly sunk in. I’d been so occupied with getting there. Saving money, getting time off work, getting up at 4:00am and meeting everyone at King Soopers. Driving through stupid Utah, wandering down the Strip at 11:00 at night on a Friday. But with all that past me, feeling the heat of the concrete through my sneakers and the Vegas sun on the back of my neck, watching the kids with skateboards and the rudies and skinheads, I suddenly realized where I was, I was here, and it was overwhelming.

“We better get food now,” said Andy, “‘Cause we won’t be moving from this spot for another eight hours.”

I spent the rest of the day migrating between the two main stages. One thing that always endears me to bands is if they look like they’re having fun themselves, and nobody has more fun on a stage than a ska band. Let’s Go Bowling was over-the-top amazing. The Selecter blows my mind. Fishbone was…well, Fishbone is Fishbone, and I don’t think that they could play a bad set if they tried (though it was weird seeing Norwood in regular clothes). I got to see Neville Staples perform “Ghost Town.” The Specials were one of the first ska bands I listened to–if they whole band had been there to perform, my brains would’ve come leaking out of my ears. It was my first time seeing Buck O Nine and the Voodoo Glow Skulls and Attaboy Skip, and I was happy with all of them. Mustard Plus was their usual happy selves. I talked to Jim (trombone player) afterward at their merch tent. And the Toasters! Oh my god, the Toasters. I could babble for pages about them, but they were the best I’d seen them in awhile, and I got onstage and I got a hug from Sledge (trumpet).

I was the only one with any energy left after the Toasters–who closed the festival–and that was only because I was wired from dancing onstage. We went back to the hotel and laughed at Andy burying himself in all the merch he’d bought, and at everyone’s raccoon-style sunburns showing where we’d missed with the sunscreen. We found food, and then collapsed into beds and corners of the floor (there were a lot of us crammed into the one hotel room). Home tomorrow. Back through stupid Utah. Life is good.


This is part two (er, obviously) of a four-part series on a concert festival I went to when I was twenty. For the first entry, along with a more detailed explanation of why I’m posting such a thing, go here.

Welcome to Sin City

Las Vegas, NV

By the time we make it to Vegas, the mountains behind us were turning purple and the sky was going dark. My first glimpse of Vegas was full-blown, lit up, neon lights going. A little overwhelming for a kid who doesn’t even like the neon sign on top of the Quest tower in Denver.

We made it to our hotel room around 9:00 and we’d been in the car for thirteen hours. We were all tired and cranky and slightly delirious; I was so hungry I was lightheaded. We didn’t think it would be worth it to try and find the ska party at Julian’s, so we met up with my friend Lori and found dinner. Then we went out wandering on the strip.

I think Las Vegas is a sort of corrupted Disneyland for adults. I mean, what kind of grown man builds a hotel shaped like a castle? (I know, I know: a rich grown man.) Vegas is some kind of weird alternate reality. Does it always have that smell?

In front of the New York New York hotel was a small group of anti-war protesters holding signs and handing out fliers. Behind me, a big beefy tourist muttered to his companions, “Oh great, more protesters. Just don’t say anything.” Then as soon as we were past them, he started talking about them, how sick he was of protesters, they don’t know anything, they’re stupid. I was so mad I could barely talk, but I managed to say, “I like how you can mock them behind their back but won’t say anything to their face.” I realize humanity will never come to a consensus on anything, and I don’t care if people disagree with me as long as they show some degree of respect for my viewpoint. But don’t talk shit about people behind their backs. All that proves is that the kids on the street corner, handing out fliers, putting their opinions on display, have more nerve than you.

Okay. Off my soapbox now.

Not much else to say about the strip, I guess. The water fountain show in front of the Bellagio was awesome. That pool, I think, has more water than the entire state of Colorado. And again, there is a hotel shaped like a castle. A castle.


I’ve been going through boxes of old papers (and thinking that someday maybe I’ll go through the Documents file on my computer), seeing what I can get rid of, when I came across this travel journal from 2003 written on looseleaf notepaper. Originally, I was going to just type it up and store it on my hard drive, but I decided to post it here for a couple reasons. One is that I wasn’t actually a bad writer when I was 20 (when I was typing it up I did clean up some grammar/sentence structure things, but really not that much). I’m a little disappointed that I’m not a demonstrably better writer 13 years on, actually. I feel like I should be embarrassed by my 20-year-old writer self, but skill-wise, she’s still pretty close to my 34-year-old self, I guess. The other thing is that I considered myself to be a pretty timid and non-risk-taking teenager/adolescent/young adult. I was never a sneak-out-at-night-and-go-drinking teenager. My friends and I never bombed down I-25 at 110 miles per hour with the music as loud as it could go just to see if we could (well, there was that one time…). But I was reading this and realizing, I did some potentially stupid things, I just didn’t think of them as stupid at the time. And still don’t think of them as stupid, which is maybe partly why I identify as a non-risk-taker. But impulsively driving to Vegas with five other kids and sleeping in a hotel on the strip and going to a ska show? Potentially dangerous. Potentially dumbass kid thing. It was weirdly reassuring to know that I was a dumbass when I was 20.

So, here it is. Broken up over several entries, I’m sure. Also I don’t have pictures to go with this because I didn’t have a digital camera in 2003. Use your imagination, I suppose.

 

Part One

Journey to the Center of the Earth

Colorado

Friday, March 28

6:00am


A god-awful hour for high school and college kids. We–Andy, Dan, Joe, Kyle, Nick, and me–met at King Soopers while the sun is still streaked across the sky in purple and orange. A quick run through the store to grab donuts, beef jerky, Mountain Dew, coffee, and water; another quick stop for gas, and we’re on our way.

It snowed on Thursday night and Colorado was cold and windy, the highway slushy and wet. We piled into two cars with a walkie talkie in each. Most of the first several hours were spent trash talking each other through the walkies.

The quickest road out of Colorado going west is I-70, which climbs through the foothills and goes up and over Vail Pass, and then slides down the other side, into the mesa country of western Colorado and then out into Utah. People live all along it. It’s the road skiers take to most Colorado ski resorts. Mining towns are littered all along it (or, more accurately, it was built along the old road that connected mining towns to Denver). It’s our way out of Colorado, and almost all the way through Utah, until it dead-ends at I-15 and we turn south.

We had to stop in Vail because the slush kicked up so much dirt behind the cars in front of us that Kyle’s car ran out of windshield wiper fluid. We tried to get to an exit but Kyle ended up pulling into a turnout–he couldn’t see at all and was hanging his head out the window, Ace-Ventura style.

If you’ve lived in Colorado for a long time, like I have, and spent a lot of time camping and backpacking and skiing in the mountains, like I have, the mountains develop a personality. They’re huge megalithic chunks of rock that alternate between not caring if you live or die, and actively trying to destroy you. There is no such thing as friendship with the mountains–the most you can hope for, if you know them well enough, is a sort of benevolence. Everything you need is there, if you know where to look, but the mountain won’t help you find it. It’s put it there, and that better be enough. You don’t think about jet streams and cold fronts in the nature, it’s more like nature being in a bad mood. Once I was one an eight-day backpacking trip. It rained for six of the eight days. By the fourth or fifth day, we were tired of the mountain and cursing the weather gods, because it felt like they were toying with us. That’s what the mountains do: they toy with you. It can be beautiful sunny weather at 11:00 in the morning, and by 1:00 it’s raining and you’re hiding from lightning and digging in your pack for long underwear. Beautiful and stunning landscapes hide loose rocks that can sprain your ankle (a minor injury, normally, but potentially lethal when you’re twenty miles from the nearest road and nobody knows where you are). The mountains are full of deer and elk and everybody wants to see them, while avoiding attracting the attention of a cougar or a bear, forgetting that the supposedly harmless herbivores kill more people every year. What’s beautiful is dangerous, the seemingly harmless can be deadly, and only bitter experience can teach you the difference. That’s what the mountains have taught me.

Humans’ attitudes towards the mountains vacilate between changing it, controlling it, and leaving it exactly the same. We build towns and highways, carve trails, put houses on hilltops. We chop trees and control the animal population, which can no longer control itself. But then something happens that’s out of our control, like a wildfire that destroys thousands of acres of vegetation. It’s a vicious and brutal process, but a natural one, part of the mountain reforging and renewing itself, keeping a balance. Given time, the landscape can renew itself, but humans are impatient. We don’t give the mountain any time anymore. After a forest fire we go in and plant quick-growing seeds that will take root and lessen the eroding. Back and forth, hot and cold, that’s how the mountains are. You learn to live with them because they sure as hell don’t care if they live with you. And they won’t ever be subdued.

While I stared out the window for a good four hours thinking about all this, the mountains slid past us, the highway threading between and around and through the peaks. We held our breath going through tunnels (except for the Eisenhower tunnel, which is too long) and listened to music. Traveling to a show, getting there is half the fun. You listen to music and in the back of your mind is the thought, “By this time tomorrow I’ll be hearing this music live and it will rock.” As for me, I don’t have a lot of friends who will tolerate ska, let alone seek it out. Dan and Andy are the only guys on this trip that I really know, and everyone else is friends of theirs.

When we stopped at a gas station in Grand Junction, Andy helped himself to some of Dan’s CDs in the other car. We weren’t five minutes out of the gas station when Dan came crackling over the walkie talkie. “Hey fuckers!”

“Yes, bastard?” returned Andy.

“Do you have my CDs?”

“Define ‘have’.”

“Are you holding them in your possession, asshole.”

We couldn’t answer for several seconds because we were laughing too hard. Finally Andy managed to say, “Well, maybe.”

“Fuckers.”

We turned up the music and held the walkie talkie up to the speaker.

Utah

Stupid Utah.

The first impression that I have of Utah is a big blank tan expanse of nothing. The sign that says “Now Leaving Colorful Colorado” is painfully accurate and it seems like not only have you left Colorado, but all the color as well. The sign that said “Caution: Eagles on Highway” caused some discussion. Eagles doing what? Something dangerous?

We also spent some time in Utah seeing how fast we could get Andy’s car to go. I-70 in Utah is long, flat, and empty, and there’s nothing to hit (except eagles, apparently). We got up to 122mph before fear got the better of us. Best not to die a horrific fiery death before the Ska Summit.

We stopped in a town called Green River for gas and lunch. One thing I’ve observed about people: if you’re a freak wandering around alone, no one takes any notice of you. I can wander around Denver by myself in all my punk/ska clothes and nobody cares, except sometimes to ask polite (if silly) questions. “Toasters? So you like kitchen appliances, eh?” “Avoid One what?” “H2O? I also like water.” But when you’re part of a posse of freaks, people are a lot more likely to fear and despise you–and a lot more likely to show it. In Utah, a bunch of spiky, blue- and red-haired freaks wearing trench coats and patch-covered hoodies, are trouble. The ladies at Burger King wouldn’t speak to us, the customers all stared at us, and the gas station attendant wouldn’t sell us cigarettes.

Our growing feelings of dislike toward Utah increased when Andy, Brian, and Nick were pulled over by an unmarked state trooper. He didn’t use radar, didn’t check the ownership of the vehicle, and told us there was snow and ice on the (totally dry) mountain pass, and that they might crash and “not know what happened.” (“Wow, we seem to be at the bottom of a canyon. How’d that happen?”) What’s more, Kyle, Dan, Joe, and me in the other car kept going and pulled off at the next exit, but Andy and them didn’t. We wasted an hour trying to find them. Stupid Utah.