Three Memories

A minifigurine shaped like a panda, and several D&D dice, including a D20 and two D10s.

I don’t have a good picture of Comic Con, so here is my panda minifig from my D&D game.

July, 2017. I’m at Denver Comic Con, in a room full of rows of chairs, and a projector on a cart set at an angle to find the screen in the corner. I find a seat on the aisle (I always find a seat on the aisle), as near to the front as I can get. We’re in a mid-sized breakout room for this panel, which is called “Marvel: Then and Now,” and it’s crowded enough that people are filling the seats, standing along the back wall, shuffling bags and cosplay weapons to try to make space for someone next to them.

The panel has three generations of Marvel writers and artists: Two old guys (like, in their late 80s, they rolled into the panel on mobility scooters) who were at Marvel in the 1950s, a white English man who started at Marvel in the late 80s, and a black woman who works there now and whose titles include Black Panther, Iron Man, and World of Wakanda.

The first question that the moderator asks is about how Marvel has changed since each panelist got into the business. One of the old guys said (and in spite of the quotation marks, I’m paraphrasing), “I don’t want to get political” (so don’t then) “but” (uh oh) “I started at Marvel during World War II, and the nation was one. And I think we need to make America great again.” (please be being ironic right now) “We need to just give him a chance” (oh dear) “He’s going to take down the Mexican mafias just like he made it safe for a black woman and her kid safe to walk down the street in New York” (stop talking) “and why can’t we be as one” (seriously though stop talking). He goes on citing “fake news” and random crime stories for several minutes. I’m not sure why the moderator didn’t interrupt or redirect; he certainly should have. The few people of color who were in the audience get up and walk out. I noticed some white people too. After a weirdly agonizing minute, as my ingrained training about being “civil” (or at least “not rude”) battles with my desire to not look like I was endorsing this shit by continuing to sit here and listen to it, I get up and walk out too. I feel like everyone is staring at me, even though I’m sure nobody was. Someone sitting on the floor probably crept into my seat and that was that.

Of course, the minute I got out into the hallway, I realized, well shit, now I don’t get to hear Alitha Martinez talk about her career, the things she’s done and what she enjoys about drawing for Marvel. Ain’t that always the way: old white dude takes up too much space, too much oxygen, pushing out other voices or making them impossible to hear. I find her booth later in Artist Alley, and buy whatever I can. She’s really nice, there with her teenage son, who’s helping her sell art and books when he isn’t off doing his teenage son thing.

Artist Alley. Remember Artist Alley? And how close everybody had to stand to each other in order to move around at all?


Laura Jane Grace from the band Against Me! sings at Riot Fest. The picture is of the large screens so Laura can be seen from far away.

Big Laura Jane Grace is big.

September, 2019. I’ve been awake since 2:30am, and only had four hours of sleep total anyway. Showered and walked to the train. Didn’t manage to fall asleep on the train. Got to the airline gate with enough time to spare to buy a bagel and cream cheese at a Smashburger, the only food place that’s open on the concourse. They don’t spread the cream cheese on the bagel even though they have a full kitchen. Just drop a couple of individual servings in the bag.

I doze on the plane, at least for a little while. I was the sort of tired where everything around you and inside you starts to feel fuzzy and unreal. Being locked in a dark tube as it hurtles through the air doesn’t help with this impression. After we land, I take the train into town and and find the hostel I’m staying in. Check in time isn’t until like 4pm, but they let me store my stuff in the luggage room so I can head right back out and take the train to Douglas Park, where Riot Fest is happening.

I have almost always gone to concerts, music festivals, things like that, by myself. It’s not weird to me. And I like being able to choose my own schedule, decide which acts I want to see, and not have to discuss it with anyone else. I like being able to pull up a patch of grass and read a book when I need some downtime. Chicago in September is sunny, and warm, but not unbearably hot. The Sears Tower (or whatever it’s called now) looms in the distance like a giant, hibernating Transformer. Riot Fest rents out lockers so I don’t even need to keep my backpack with me most of the time. The lines to the port-a-potties, though on the long side, move quickly. Same for the water bottle refilling stations. People are handing out free individual packets of Pedialyte to keep everyone moving and hydrated. I am not filled with the amplified excitement that I used to get when I was younger and looking at the lineup for Warped Tour, and I’m not interested in getting myself clobbered in the mosh pit anymore, but I am perfectly content, standing in the shade to see H2O over here, dancing in the sun to The Selecter over there, buying ice cream that is way too expensive, checking the Riot Fest subreddit and meeting up with a random guy who happily gives me a pair of foam ear plugs. There are a whole lot more Latinx people here than I remember seeing in the scene in Denver, and I remember how multiracial punk is, or could be, or should be, or has been.

I see Anti-Flag, who are still singing about how dying for your government is shit after all these years, calling for a circle pit “everywhere” (please no). I randomly see a band named the Thin Lips, they were good. Wander around the merch tents, the usual collection of tie dye and Bob Marley posters and skate decks and anarchist bookstore tents. I sit under a tree and watch Hot Water Music from a distance. I have a locker that I can lock and unlock, so every now and then I take out my homework and work on it in the grass while I wait for Andrew WK or the Village People to take the stage. .

There’s old punks, with grey hairs and battered Vans. Young punks, with shellacked hair and pristine Docs. It’s like Warped Tour, but more low-key, and with more older punks. There’s a breeze, trying to clear out the humidity and the smoke from various types of stimulating leafs. The grounds crew tried to fill in the soft spots in the ground with wood chips to prevent mud pits, and it’s…slightly effectual.

The last day, Sunday afternoon/evening, is the reason why I really came to Chicago for this. Against Me!, Patti Smith, and Bikini Kill play one after the other on the same stage. Sometime over the summer, I jokingly tweeted at Laura Jane Grace that I needed her to make sure that her and Smith’s and BK’s sets didn’t overlap because I needed to see all three of them. I know that LJG doesn’t have any control over stage order at a huge fest like Riot Fest, but I got my wish, and I decide it’s because of her. I head over to the stage almost an hour early, and get as close as I can. In the manner of fests, there are two big stages next to each other and they alternate which one is in set up mode and which one has a band playing on it, so even though I’m only seeing three more bands, I’m going to be in this spot for about six hours. I have already peed and also monitored my fluid intake so I won’t have to go to the bathroom. I have clif bars in my backpack. I have a book to read. I am not front and center, but I’m close enough to see the band members’ faces, far enough away to not have to worry about the pit, and near to the big screens on either side of the stage that I can look at those if I need to (and when I take pictures on my phone, I mostly take pictures of the screen, because as dusk falls my already-crappy phone camera gets even crappier). I’m surrounded by other women, and we are all so so ready.

The bands are great. How do I describe how great they are? What are the words I can use to convey how happy I am? Laura Jane Grace laughs her way through her set and Patti Smith rules the fucking stage. Bikini Kill is still making their own clothing and digging through thrift store discount bins for stuff to wear on stage. And to see Bikini Kill, who (along with their friends and the rest of the riot grrrl community) started their own revolution, who stand for so much and who put their voices in the mouths of so many girls and queer kids, to see them play for thousands and thousand of punks, to see them close out Riot Fest, to hear Kathleen Hanna talk on stage about the same things I’ve heard her talk about in 500-capacity theater venues…that was something. That was great.

Dare you to do what you want
Dare you to be who you will
Dare you to cry right out loud
“You get so emotional, baby”

Double dare ya,
double dare ya,
double dare ya

Girl-fuckin-friend yeah
-Bikini Kill, “Double Dare Ya”


A medium-sized brown dog, standing on a gravel path, stares across green grass to the ocean beyond. Her back is to the camera and she's wearing a green harness.

Hazel Dog checks out the ocean (sound? bay? big thing of water).

February 2020. Some friends of mine, who I used to dogsit for until they moved to California, ask if I want to dogsit for them in California. Instead of giving me money, they’re giving me a free trip to California, and use of their car. They live outside of San Francisco, at the tail end of one of the BART lines, in what seems to be a working class neighborhood that can’t decide if it’s sliding downward or sliding upward. Hazel (the dog) and I go to a different park every day, this one a big off-leash park on the coast where she can sniff at and play with other dogs, that one a walk through some redwoods up a big hill (though never quite high enough for a big vista). The air is sunny and crisp, and I find a little park on the coast a mile from their house, where I can go running every morning and appreciate doing a cardio workout at low altitude. I carry a jacket with me but hardly ever wear it. I go see Hamilton (yes, again) in San Francisco. I know the soundtrack by heart but every time I go to see it live, there’s too much to see and it’s overwhelming and my brain forgets to remember what happened. So, I go see it whenever I’m in a city that’s not NYC with tickets that are vaguely affordable and buy a beer in the lobby that costs like $15 fucking dollars holy shit. I’ve never seen Hamilton in the city where I live–just when I’m traveling. I find Chinatown by accident while I’m trying to find the City Lights Bookstore. I think to myself, I could live here, I just need to figure out how to quadruple my income. I understand why people want to live here. The air is just fucking fantastic, and since I barely need to leave the house once a day, I don’t care about the traffic. I write. I go on walks with the dog. I sleep as late as she’ll let me in the mornings. I cook messy things in the kitchen (everything I cook is messy to some degree). I have takeout burgers and takeout Korean food and a random gyro because that’s all I can find right before Hamilton. I see the ocean. I watch classic movies like Silence of the Lambs and Swing Time, and have a long conversation with a friend about genderqueerness and -phobia and Silence of the Lambs. It’s like a staycation, but since it’s not my own house I’m not distracted by all the projects and cleaning that I’m not doing. It’s just me, and my brain, and the dog. I’ve been casting my mind back to it the last six months, those last feelings of freedom, before I knew what was coming. Appreciating the sun and the sky with no impending sense that it might be gone soon.

A Random Cycling Entry

t1lbwd7I bought a car last year (a 1993 Volvo that cost 700 whole dollars), and as a result, I haven’t been riding my bike hardly at all. Turns out I am really really lazy. I still think like a cyclist, though, and am always checking bike lanes and crosswalks for errant cyclists. I hope that I’m the driver that I wanted drivers to be, back when I was biking everywhere and trying to co-exist with car traffic. Anyway, I was going through a folder in which I had a whole bunch of half-written blog entries, and came across this, and figured I’d throw it out there:

As a cyclist, I hope that drivers can keep in mind that whatever their frustration with me—going slower than them, taking the lane, needing to cross three lanes of traffic in the span of one block so I can turn from 18th onto Larimer—I’m causing you perhaps 10 seconds of inconvenience. You have the power to KILL ME. Some people seem to think that cyclists think we’re invincible daredevils, and maybe some are (I can’t speak for all cyclists, obviously), but I am hyper-aware of the fragility of my meat suit whenever I’m biking in traffic. On the contrary, it seems like car drivers are the ones who are apt to forget their potential to injure and maim. I’m not saying that there’s not badly behaved, unpredictable cyclists out there—there’s about as many irresponsible cyclists as their are irresponsible pedestrians and irresponsible drivers—but when you, Mr/Mrs Driver Person, catch yourself about to lose your shit at some poor schmuck on a bicycle, please take a breath and remember you’ll be past them in ten seconds, it’ll all be over, and you can go about your day.

Some days it just feels like there’s no way for a person on a bicycle to win. And not just in a collision, where I am obviously going to be the loser. If I run a red light, I get yelled at for running it. If I don’t run it, I get honked at for holding up traffic. If I take the lane, I get honked at, never mind that the reason I moved left was to not get doored by someone lurking in a parked car, or because there’s gravel on the road, or because cars were blowing past me with barely a foot to spare and I wanted to force them to give me more space. If I stick to bike paths, I unintentionally goose pedestrians who are walking there; if I stick to the roads, I get yelled at and run the risk of getting plastered. It can be both dangerous and frustrating when all you want is to get home from work in one piece.

That said, it seems a shame that cyclists and cars so often let the bad incidents define the discussion. I ride my bike just about every day, and I have to say, my close calls and angry incidents are few and far between. So:

THANK YOU for pausing and letting me ride by when you’re trying to back out of your driveway.

THANK YOU for waiting to take your right turn and letting me go by in front of you, even though I was going slower than you thought I was.

THANK YOU for pulling a little to the left when you’re passing me to give me space.

THANK YOU for waiting patiently behind me at a light while I start from a standstill.

THANK YOU for stopping last week when I wiped out in the rain, and checking to see if I was okay.

THANK YOU for seeing me signal that I wanted to take a left and letting me cross the lane in front of you.

THANK YOU for when you who lift up your hand and let me know that you’ve seen me.

THANK YOU for pulling your dogs closer to you when you see me coming so I don’t have to worry about getting clotheslined (and I did slow down as much as I could so as to not scare your dogs, I hope that was okay).

THANK YOU to the kids who were waiting for the bus, saw me pushing my way up a steep hill, and started clapping and cheering–that was hilarious.

Thank you all for, so far, not killing me. Thanks to everyone who hasn’t thrown bottles at me, honked their horn for no reason, or yelled at me out a window. I do very much appreciate it.

Thanks. And let’s, when on the road, all just try to be patient with each other. Me included.

 

Ska Summit, 2003 (Part 4)

This is the final installment of my four-part series on a concert festival I went to when I was twenty. For the first entry, along with a more detailed explanation of why I’m posting such a thing, go here.

I Ran All The Way Home (Doo wah doo wah doo)

The conversation the next morning consisted almost entirely of groans of exhaustion and pain. We were all sunburned (I think Dan, Joe, and me took prizes for the worst), and Andy had sprained his ankle somehow, and the everyone was sore from eight hours of dancing and standing on concrete. We all wanted to go home and talked Dan out of bungee jumping, but had to stop for souvenirs at the World’s Largest Souvenir Shop, and eat breakfast (steak for breakfast! Okay then, Vegas) so it was past 10:00am by the time we got going.

Conversation faded in and out, mostly restricted to what needed to be talked about. We would stop for gas and get out and talk a bit and get revived, but as soon as we got back in the car the conversation would fade away. We were all tired and kind of cranky, too tired even for post-ska exuberance. But it was stored away, we’d take it out and think about it and then put it away.

“We should do this again next year, only spend more time in Vegas.”

“Catch 22 needs to play next year.”

“And the Mad Caddies. And Less Than Jake.”

“And the Pietasters.”

“And the Smooths. Well, if they got back together.”

“Or did a reunion show like Attaboy Skip this year.” (If there’s any former members of the Smooths reading this, one more tour, please, just one.)

We got through Utah without incident, hitting 128mph in Andy’s car and passing a van that had “Ska Summit 2003” written on the back window in soap. As soon as the sun sank behind Utah, I fell asleep.

 

One Week Later

April 6, 2003

I finally got a decent night’s sleep on about Thursday (we’d driven back to Denver on Sunday). I’m writing this sitting at Action Shot’s band practice. Life is back to its regular routine. I told everyone my Ska Summit stories, but left out the total exhaustion part because that’s not what sticks in your head. The image that comes to mind is the Toasters onstage, Bucket (guitar player/lead singer) bobbing back and forth on the balls of his feet like he does, his eyes shut against the bright stage lights; Jack Ruby (other lead vocals) rolling around onstage and throwing things at Sledge. Sledge looking angry and then, at the last minute, breaking into a grin. Dave Waldo, the keys player, hoisting his keyboard onto his shoulder like a boombox. The saxophone player and the trombone player dancing, holding their horns away from their bodies; the people around me gently bumping shoulders as we danced.

Ska Summit, 2003 (Part 2)

This is part two (er, obviously) of a four-part series on a concert festival I went to when I was twenty. For the first entry, along with a more detailed explanation of why I’m posting such a thing, go here.

Welcome to Sin City

Las Vegas, NV

By the time we make it to Vegas, the mountains behind us were turning purple and the sky was going dark. My first glimpse of Vegas was full-blown, lit up, neon lights going. A little overwhelming for a kid who doesn’t even like the neon sign on top of the Quest tower in Denver.

We made it to our hotel room around 9:00 and we’d been in the car for thirteen hours. We were all tired and cranky and slightly delirious; I was so hungry I was lightheaded. We didn’t think it would be worth it to try and find the ska party at Julian’s, so we met up with my friend Lori and found dinner. Then we went out wandering on the strip.

I think Las Vegas is a sort of corrupted Disneyland for adults. I mean, what kind of grown man builds a hotel shaped like a castle? (I know, I know: a rich grown man.) Vegas is some kind of weird alternate reality. Does it always have that smell?

In front of the New York New York hotel was a small group of anti-war protesters holding signs and handing out fliers. Behind me, a big beefy tourist muttered to his companions, “Oh great, more protesters. Just don’t say anything.” Then as soon as we were past them, he started talking about them, how sick he was of protesters, they don’t know anything, they’re stupid. I was so mad I could barely talk, but I managed to say, “I like how you can mock them behind their back but won’t say anything to their face.” I realize humanity will never come to a consensus on anything, and I don’t care if people disagree with me as long as they show some degree of respect for my viewpoint. But don’t talk shit about people behind their backs. All that proves is that the kids on the street corner, handing out fliers, putting their opinions on display, have more nerve than you.

Okay. Off my soapbox now.

Not much else to say about the strip, I guess. The water fountain show in front of the Bellagio was awesome. That pool, I think, has more water than the entire state of Colorado. And again, there is a hotel shaped like a castle. A castle.

Ankle-deep

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Halfway across the sand, I kicked off my shoes, rolled up the bottoms of my jeans, and walked barefoot, hoping that LA county keeps up with making sure the beaches don’t get full of broken bottles and used needles. There were people around, but not a crazy amount, and it was easy to walk in a relatively straight line to the water without coming near anybody.

I stopped at the water and watched the waves curl around my ankles. It was the first refreshing, relaxing thing that had happened to me in at least twenty hours. My brain felt full of static from sleep deprivation and not enough food, I was still wearing wool-lined jeans, because I’d left Denver at 5:00am when it was about 13 degrees outside. I was wearing a backpack and carrying my jacket and felt like I’d just been dropped on a warm, balmy moon. Maybe it’s easier to fall into a meditative-like headspace when you’re nearing total exhaustion, or maybe it’s just easier when you can work your feet into the earth below you, when the water greets you with a cool, refreshing spray.

I walked along the beach away from the people, no plan in mind, just taking in each moment. Being too tired to be able to do much else besides enjoy where I was, too tired to even sit down. Not even trying to think, not needing to accomplish anything. Just feeling the cool water and being.

The Border Wall

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I wrote this in about 2007. It originally appeared in my zine Spandrel #2. It was before the unattended migrant children that came through in the summer of 2014, before the Tea Party halted all useful talk about our immigration system, before the cartels and the murders got really bad. It has since been published in an e-book. Some of the stuff in the essay (like the minimum wage) is out of date.

The drive south is cold and windy, because the heat doesn’t work and because a crash dented the passenger side of the VW bus, and as a result there’s gaps in between the windshield and the frame of the car for the wind to whistle in through. I huddle in a slightly sheltered corner, staring at what I can see of the scrubby Arizona landscape in the light of the bus’s headlights. Jason, driving the VW, tells me about the tunnels that run under the highway we’re driving on—drainage ditches that stretch under four lanes of blacktop. There are probably people down there right now, he says, waiting out the night, hiding from the Border Patrol. It’s cold. A bad night for crossing the border.

Between 1810 and 1850, the Underground Railroad in the American Southeast smuggled between 30,000 and 100,000 slaves to freedom in the American North and Canada. Escaped slaves moved alone or in small groups by night, assisted by a select few who knew the route. They didn’t know the way, had often never seen a map, but they journeyed through hundreds of miles of hostile territory, dodging authorities, bounty hunters, and dogs. They risked dying of hunger and exposure, and all for the smallest chance that they might find freedom at the end of the line. As many as two out of three didn’t make it.

Today in the American Southwest, there is a different kind of Underground Railroad. Immigrants from Mexico and Central America pay money to guides to bring them across the border. Migrants who cross the border have a long walk with a choice between the rock—the mountains—or the hard place—the desert—over which to cross. It’s a five day walk from the border to Tucson, and it’s impossible to carry enough supplies with you to get yourself there.

Jason and I pull into a roadside campsite in Nogales, about 100 yards on the Mexican side of the border, next to a customs station where we’re spending the night. I am introduced to Miguel, the gangster who controls this part of the border. Everything that crosses the border in this town illegally—drugs, guns, tropical birds, people—crosses because of him. He knows the gringos, the federales, the Border Patrol. I imagine that very little happens that he doesn’t know about or doesn’t want to happen.

When I meet him, he is a mild-mannered, quiet-looking Mexicano who is shorter than me, wearing jeans and a coat that look like they came from Wal-Mart. I try to reconcile him in my mind with the Al Capone character that’s been described to me, and I can’t.

Migrants pay coyotes roughly $2,000US to cross the border (or about $20,000 Mexican). Minimum wage in the United States is $5.15 an hour. In Mexico, if a person is making about $10US a day they’re doing pretty good. Most people have help crossing the border from friends and family who are already here.

Migrants pay $2,000 to cross the border. How far into the country they come depends on the coyote and on how much the migrant pays. Migrants aren’t always knowledgeable about US geography, or living in the open, and they don’t have maps. There have been incidents of migrants dropped in Tucson and told they were in Phoenix, or within walking distance of Miami. Unconfirmed reports of migrants dropped in the Mexican desert and told they were in Arizona.

They break limbs jumping off freight trains. They die of exposure, dehydration, or hypothermia. They drink bad water in the desert. They come equipped with nothing but what they can carry and their own considerable determination. They get caught by the Border Patrol and deported, and return and get deported again. And still they come.

There’s an underground network to crossing the border, but unlike the conductors on the Underground Railroad, the coyotes are motivated by money, not by their conscience, and not all of them can be trusted.

It’s a bad night to be crossing the border. I shiver in my sleeping bag and I can’t sleep. Maybe it’s the cold, maybe it’s the coffee I drank before we left Tucson, maybe it’s the floodlights that we’re sleeping under, or maybe it’s the fact that I’m under this cold Mexican sky, with federales on one side and Mexican gangsters on the other, and I’m separated from my home by a fifteen-foot high wall of steel and barbed wire and heavily armed men with Black Hawk helicopters, humvees, and guns.

Before dawn, unable to take the cold anymore, I crawl out of my sleeping bag and pull on my jeans and shoes and coat. Someone has built a fire, and as I hop out of the van, Jason comes over and meets me. Four of the people at the fire—a man, a woman, and two small kids—are part of a larger group who have huddled all night in a nearby ravine, waiting for the signal to try the border. The other four men who have arrived are coyotes who brought the woman and her kids up to get warm. These coyotes, Jason assures me, are some of the good ones.

With all this in mind, I approach the fire. The woman—who is my age or even younger—looks at me for a moment, her eyes dark and exhausted. Her kids look maybe three and five, and are wrapped in a sleeping bag that Jason took off his bunk. We exchange no words. The coyotes ignore my presence completely. They are young men, again perhaps my age, and are engaged in a raucous and enormously funny conversation that I don’t understand because I don’t speak Spanish. One of the coyotes goes out of his way to stand between me and the fire, blocking me from the warmth, moving to the left to block me again when I move to the left to move away from him. I think about saying something, about moving forward so he can’t move sideways without stepping in the fire, but ultimately, I say nothing. You don’t belong here, he’s telling me not so subtly, and I can’t in all confidence say I disagree.

The sky in the east has started to lighten when there’s an invisible signal from somewhere and the woman and her kids leave the fire to make their try for the border. The coyotes at the fire don’t go with them. At the critical point, the border itself, the coyotes don’t go with the immigrants. The woman and her kids will meet another coyote on the other side.

The coyotes hang around until full daylight, when a semi-truck piled high with bales of hay driving past our camp fails to clear a power line. The telephone poles are pulled askew, there is a loud crackling noise, a lot of cursing in English (from me and Jason) and Spanish (from the coyotes), and the truck continues on, leaving the power lines dangling just low enough to snag any car that comes down the road. Jason goes to tell the federales (the wing of Mexican law enforcement that is sort of a combination Border Patrol/FBI) and the coyotes take off. Some policemen come, and someone that looks like an electrician, but they wander around and talk and then drive away, leaving the power lines dangling across the road.

In 1961, East Germany began construction on what was not, they insisted at the time, a wall. Tired of the drain on their economy because of East Germans leaving the Soviet Bloc every day to go to work in higher-paying West Germany, and frustrated by the 2.5 million people who had defected in the sixteen years since the end of World War II, the Wall put an effective halt to travel between the democratic and communist halves of Berlin. Any East Berlin citizen who tried to cross the wall was killed by the East German guards, and in the Wall’s twenty-eight year existence, probably fewer than five thousand souls managed to cross it illegally. The Wall was guarded with booby traps, armed guards, watchtowers, anti-tank tetrahedrons, and self-firing guns to keep people on the Communist side. Far from being the idyllic system of government that the Communists claimed, it turned out that they had to forcibly contain their citizens to prevent them from fleeing. When the Wall came down in 1989, symbolically reuniting Berlin, it was seen as a victory for freedom and democracy, and one of the final blows to the Soviet system.

Also in the 1960s, when the Berlin Wall was going up, American soldiers were fighting Communism in the backwater jungles of Indochina. Fighting to keep Korea and Vietnam from falling into the control of guerilla fighters, the Americans strafed the jungle and tore it down to build army bases and camps. After clearing land for airstrips, however, the ground was still too soft for planes to land, so the jungle was paved with corrugated iron sheets that could be picked up and moved to wherever the planes needed to land.

In 1975, when the American presence in Vietnam ended, one of the things that the Americans packed up and took with them was their iron landing strips. Ten years later, after the victory of democracy in the West and the end of the Cold War, the United States decided to build a wall of their own in an effort to stem the economic stress that immigration puts on rich countries when people flee from their poor country. To build it, they brought the sheets of iron they’d used to try and defend democracy in VIetnam and divided the sky with them, then lined it with barbed wire and armed guards. The Border Patrol uses the same unmanned aerial vehicles, motion sensors, infrared detectors, radar, and wireless communication systems that the US Army is using in Iraq. The fence cut towns in half and separated families. Whether they have actually decreased illegal immigration—as the Berlin Wall succeeded in doing—is another question entirely.

There was a time not so long ago, Jason tells me, when the “wall” was just an eight-foot-high chain link fence. People crossed to go to work in the morning, then went back to their homes at night. Illegal immigration was common, but few people stayed in the United States for long periods. People played volleyball games using the fence as a net. Then the wall went up, fourteen feet of steel and barbed wire. It pushed migrants trying to cross the border into rural areas (and increased mortality rates drastically) and forced them to stay in the U.S. for longer periods, since crossing the border is more dangerous and more expensive than it used to be.

The wall is peppered with graffiti and murals trying to give border crossers a taste of what they’re in for. There is one portrait of a migrant worker on his knees, about to be shot by a man looming over him with a gun. The caption says “Arizona.” A dollar sign with wings. La frontera es grande porque estamos en sus rodillas (The border is big because we are on our knees). Deporte la migra (Deport the Border Patrol). Si yankee es un terrorista.

Jason and I leave the roadside camp in early morning to go get breakfast supplies for the deportees who will be arriving soon, driving along a road that runs parallel to the border. On our way into town, we also pass a cemetery, which is a riot of color and flowers and decoration. Ribbons are laced through the fences around the family plots. There are silver pinwheels several feet across spinning over tombstones. Mexicans apparently take good care of their dead, and though this is utterly unlike any American graveyard I’ve seen outside of New Orleans, the colorful graveyard somehow makes me feel less like a foreigner.

Deportees are dropped off just this side of the border, usually thirty or forty at a time, regardless of where in Mexico they’re actually from (and, sometimes, regardless of whether they’re from Mexico at all). They carry everything they own with them and shuffle flatfooted because the Border Patrol takes everyone’s shoelaces (and does what with them?). We give them food, which is far from fancy—tortillas and beans, or Wonder Bread and baloney—but the deportees take it anyway. Jason and another volunteer named Ramón have medical training, and they circulate amongst migrants who have been hard hit by the desert or have gotten hurt along the way. I hand out sandwiches for a little while, and then circulate among the crowd, explaining in my broken Spanish that I have sheets with the addresses of shelters in the area for folks who have nowhere to sleep tonight and small, wallet-sized card with the phone number of the Mexican consulate and an explanation of the rights people have in the United States, be they natives, citizens, immigrants, or deportees. A few take the shelter lists, but everyone wants the consulate cards. Everybody wants to know their rights. I hand them out as fast as I can, trying to explain what they are and practicing my one decent Spanish phrase: “Mi español está muy mal. Lo siento.”

They don’t say much to me. They’re tired, it’s obvious that I don’t speak much Spanish, and I can’t imagine that their experience with the American Border Patrol has left them with much energy or motivation for trying to make new friends with the random American chick who’s greeting them. They rest for awhile, eating and talking and drinking hot coffee, and then they gather their bags to go, raising their hands in farewell. Adios. They walk south into Mexico. Jason tells me that most will cross the border again; he knows one man who has been deported eight times now. If you’re from one of the southern Mexican states, it’s easier to try the border again than it is to try and get home.

One of the volunteers at the camp—a Mexican who was deported and stayed here, at least so far—takes a break between busloads and crouches on his heels some distance away and smokes a cigarette. He sits on top of a small rise, his back to me, staring out at the fence, the Border Patrol, and the scrubby hills of los Estados Unidos. I ask him, later, if he wants to go back to the United States, and a smile flashes across his face. “Sí.”

In this rhythm, the morning passes, waves of deportees and border crossers interspersed with periods when there’s no one at camp but the volunteers. Jason tells us about the history of this camp and what they’re trying to do, and shares stories of border crossers he’s met. We talk about New Orleans and Louisiana and the loss of the coastal wetlands on the Gulf Coast. We tease Ramón about secretly being a woman. We watch the federales chase a man who left his car and whatever illegal item was inside of it and make a run for it—back into Mexico, oddly, not out of it. One of the volunteers shakes his head on hearing that the man fled south. “If he ran into México, he not going to make it,” he says matter-of-factly. “He a goner.”

We spend the morning there, and then it’s time to go, to get in line at la frontera and be interviewed by the Border Patrol. Much to Jason’s surprise (and mine too, given the hippie van we’re in) we are not searched, and thanks to the federales’ willingness to take bribes and let cars cut in line, we get through the border in less than an hour. And then we’re back in the States, which of course looks exactly like Mexico until we’re about five miles over the border and we come upon a Holiday Inn and a Conoco station that’s filled with white people who look like they want to visit Mexico but don’t want to stay overnight there. Something in my head relaxes, because now I’m back on my side of the wall, and even though this side really isn’t any less dangerous than that one, simply by virtue of language and long habit I feel more able to cope with this side. I don’t know if it’s like this for the migrants, if, in spite of their determination and obstinacy and their persistence in getting on our side of the wall, they don’t feel a tiny sigh of relief when they find themselves back on their side of it.

Mighty Mighty Throwdown

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On December 26th, I woke up at 3am and caught a bus to the airport. We were leaving the city and crossing the plains (Denver’s airport is east of the city) when the sun came out for the day. It didn’t seem to rise as much as shine through a place where the night sky had been rubbed thin.

After sleep-stumbling my way through security, I caught a plane to New York City. I had a four-hour layover in the City, and then I caught a Chinatown bus to Boston.* When I realized that I was going to be in NYC, I admit I purposefully timed my bus ticket so that I could a little time in Manhattan. I haven’t been back since I moved away a year and a bit ago. So I took the train in from JFK and walked from the 49th and 8th subway station to Shake Shack (which was not as good as I remember), and from there to Penn Station, where I lingered and wrote in my journal and people-watched. I was in New York for long enough to remind myself of some of the reasons why I didn’t like it–the crowds, the smelly homeless people**, the dirt generally–but also some of the reasons I liked it, and still like it, the impossibly tall buildings, the number of stories you can tell. The feeling that anything can happen here.

By the time I got on my bus to go to Boston, the sun had fallen again (it had gone down while I was camped out in Penn Station), so we drove north through Manhattan at night. The bus was completely full, and the driver had the heat on high, and everyone was uncomfortable. The guy behind me–who seemed, like most of the bus, to be a college-age kid heading back to Boston after spending Christmas in NYC–was talking to somebody on the phone, helping them process what I think was a rough Christmas with the family, and didn’t think they were doing anything worthwhile in life. I admit I listened, because he was giving good advice. “Do you have any ideas about stuff you can create that the world needs?” he asked at one point, which I think is a good thing for anyone to think about now and again.

We went uptown on Amsterdam Avenue, past all the places I knew. The store I worked at. Stores I used to shop at and places I used to run errands. Past Roosevelt Hospital, Lincoln Center. A few blocks west of Columbus Circle, but I mentally noted it as we went by. We turned east at 106th, and then resumed our northward trek on Frederick Douglass Blvd, so we didn’t really pass the Columbia neighborhood.

When it comes down to it, I always liked New York best when I’m a little bit removed from it. On a bus going through Upper West Side, or on the Q train going over the Brooklyn Bridge, or on a boat in the Hudson River looking at the Statue of Liberty on one side of me and the skyline on the other. Anything that kept me from having to face the actuality of living there.

I’ve traveled the route from New York City to Boston and back several times, though always in the winter, always past the sad spindly deciduous trees that are waiting for spring. We passed by a Metro North train making its way to New Haven. The bus driver stopped a couple times to stretch, and finally noticed how broiling we all were, and turned the heat off with an apology (and distributed bottles of water, which was lovely, though I drank sparingly of mine because I didn’t want to have to use the bus lavatory). As we drove, I started seeing snow collecting along the edges of the road. Cold in Boston, at least in the recent past.

As I got closer, I started getting text messages from friends who were already in Boston, telling me to come to the Buckminster hotel, rather than my friend’s apartment (well, I could’ve gone to my friend’s apartment, but he wouldn’t have been there, since he was at the Buck). I finally got there around 11:00pm, EST, after sixteen hours of travel. Stashed my suitcase and my backpack in someone else’s hotel room and was greeted by smiles and hugs and beer. Hung out and talked, listened while other people talked. Eventually, the friend and me (after deciding that couches at the hotel were a terrible idea) took the T back to his apartment, where I fell asleep on a couch anyway, but a larger and more comfortable one than the hotel ones. And the next morning I got to watch Doctor Who and The Daily Show while we drink coffee. And then we went back to the Buck, back to Kenmore Square, back to the madness and the hilarity. I am not always relaxed and comfortable in big crazy groups, but I spent a fair amount of time leading up to this trip reminding myself to have low expectations, and give no fucks, and loosen up, and have fun. And knowing that even if the Buck ended up being a not fun place, the concerts I was going to go to would be.

Low expectations, keeping it simple, and playing it by ear turned out to be the key. Deciding that nobody will mess with me and my ability to enjoy the Mighty Mighty Mighty Bosstones. This, for me, is the recipe to knowing how to party.

*Turns out that traveling this way, while it takes about 16 hours, saves about $250.
**I understand that this makes me a total judgmental asshole. And not all of the homeless in NYC are smelly. But homeless people in NYC reach a level of decrepitude that I’ve never seen in any other homeless population in any other city. This probably says more about NYC than it does about the homeless.

Throwdown #16, part 2

citgoOn my way put of Boston. The clouds are shining silver in the early morning sun. Most people at the Buck are probably still sleeping.

I heard “Disappearing.” I heard “Haji.” The Bosstones can still, no matter what else is going on in my head, make me forget everything and have a good time. I danced in a skanking pit (not mosh pit, since everyone was skanking, I guess it was a skanking pit). I hugged friends. I made new friends.

And I figured out something that feels so stupid and elementary, something that people have been trying to tell me for years. Since I was a kid. To say what I learned, I have to first describe some things that are not my favorite things about myself.

I’m pretty shy and introverted. I like structure and predictability. I don’t like having to talk loud (though I do, eventually, when I come out of my shell or get hyper). I don’t hardly drink, and my ability to cope with loud and unpredictable and silly drunk people can be low, especially when they’re present in large quantities. So at large drunken unstructured gatherings—which the 737 parties at the Buck are, in great measure—I’m afraid that I come across as hating fun, or being uptight, or unfriendly, because I tend to sit in the corner and check my phone instead of talking to people. And part of me doesn’t understand why people have to get so loud (because they’re drunk), or belligerent (because drunk) or sick (because drunk). Since I don’t drink enough to get drunk, and because I’m inhibited enough that I’m actively afraid of becoming disinhibited, drunken revelries have never made entire sense to me. And, like any big social group, there’s gossip and drama and people who don’t like each other and people who talk shit (and yes, I am occasionally one of those people). As an introvert, this might be the part that baffles me most. If you don’t like a person, why put up with their presence? Why make nice to them? Don’t pick a fight or anything, but why waste your energy? I don’t want to throw anybody—no, nobody—out of the 737, but Jesus H Christ, sometimes I really just wish we could behave like motherfucking adults (again, I am including myself). I try to watch myself because I know I can be a judgmental person, and this is one area where I catch myself at it a lot.

But I realized this week, this thing that Quakers have been telling me my whole life. About love and acceptance. Yes, the 737 are a bunch of drunken immature rail-hogging bastards (including me. Minus the drunkenness). But they are also generous and compassionate and patient with each other—and with me. The same guy who got belligerent with the HOB staff and thrown out of the show checked in with me when it was clear that I was on the edge of an anxiety attack in the middle of the party, and then he moved over thirty people to another room just to give me space like it was was no big thing at all. The one who smokes pot in the bathroom also gave me food and wouldn’t let me pay him back. My friend’s boyfriend, who mostly comes to be with his girlfriend, not to hang with the group or even see the band, bought me dinner and held my bag for me so I could ride the rail and not deal with coat check. The woman who has made some…questionable?…romantic choices is also the one who took me away from the party and hugged me and let me cry when I was upset about an ex. People tolerate me being the rude person texting through conversations. People pick up merch and mail things to people who couldn’t come to the show. And if I couldn’t learn to deal with the drunken madness and revelry, I would also miss all that compassion and hospitality and acceptance. Lenny Lashley is kind of a mess but he makes some beautiful goddamn music.

And yeah, I know that not all bad behavior can be overlooked in favor of a person’s better nature. But a lot can, and probably a lot more than I think possible. In my family, being accepted into a gathering—hell, being respected as a person—is predicated on not causing a ruckus. I can’t tell you how foreign and strange and liberating it is to realize that that isn’t always true. Lord knows those mad drunken bastards have been overlooking and forgiving quite a few of my own faults over all these years while I figured that out. I would be more afraid to talk about this side of myself that I don’t like if I wasn’t reasonably certain that the 737—who are fairly perceptive—hadn’t already observed it and forgiven it in me. I’m sure I’m not as good at hiding it as I like to think.

Thank you guys, so much, so much more than I can say. For accepting and forgiving me. For letting me hang out with you. For not treating me as I sometimes was tempted to treat you. You are all such beautiful, worthy people. Don’t ever change.