Happy New Year

(Okay, but seriously, me making a timely post within two weeks of the actual time? I am fucking on it, you guys.)

Thank you, to all the vigilant/anxious/conscientious people in 2020 who worked really hard to make wearing a mask and not leaving home the norm in 2020. It helped. I’m a person who wants to be vigilant and do the right thing, but ultimately I’m also lazy, and keeping my attention on something in a consistent way for weeks and weeks and weeks and months is impossible for me to do if I’m not around other people who are also doing it. (I don’t know if this is typical? If people in low-compliance areas would wear masks if it was more the norm? In some ways I notice myself being really susceptible to just rolling along with what everyone else is doing; in some ways I’m super ornery.) Surrounded by different people (or surrounded by no people), I know I would have continued to wear a mask, but I’m not sure if I would have stayed out of restaurants. I maybe would have forgotten about staying away from people at the grocery. I might have given up on social distancing at work. I would have just made doctors’ appointments and dental appointments and kept going to starbucks.  I admit I did keep going to get my hair cut, partly because I couldn’t stand it and partly because my stylist owns her own business, but that was one of the only “That’s a really stupid thing you’re doing” things I did all year, and on balance…well, at least I didn’t have to pay a price for it.

Throughout this whole thing, I’ve underestimated the danger and the longevity of it. I started getting anxious about my work needing to shut down only a day or two before it actually did. I didn’t really think, in April and May, that we’d be settling in for doing the whole year like this, even though people said we would. I am still only half-believing the people who are saying that we need to be prepared for this to be our life for another six months. By this time I know to trust other people and not my instincts, and that my disbelief/disunderstanding is probably more self-preservation than anything else.

Thanks to the people who tweeted about non-instacart grocery ordering apps. Thanks to the people who tweeted about mental health and the agony of combining grief with waiting. Thanks to the people who normalized Saying No To Everything. Thanks to the people who gave me words with which to say, “No, I’m not doing that right now/this year/etc.” Thanks to the people who figured out how to have writer’s conferences online. And movie parties online. Thanks to the people who made me feel guilty for even considering doing a thing, which then steered me away from doing that thing. Thank you to the people who know that human life matters, and that all the lives we lost this year mattered, and that they all left holes behind. Thank you for making pushing back against boomer parents who still want to go to restaurants and to church a thing that we can do with love and humor and compassion.

Thank you to the pets, the dogs and the cats and bunnies and bearded dragons and iguanas and chickens and whatever, who made staying home a tolerable project. Thank you to the lady who let me keep coming over to watch her dog and hang out with him even though she probably didn’t need to. Thanks to the dogs for giving me a reason to leave the house, walk around, and look at the sky. Thanks for keeping me company on zoom meetings. And for interrupting zoom meetings. Thank you for the snuggles, for collapsing across my lap so thoroughly and heavily that my legs fell asleep.

If you still exist in the world and are reading this, thank you. I’m glad you’re here. I’m glad you’ve survived this long. Thank you for helping all the people that you helped. I’m glad you kept on as best you could. I hope you have something good to look forward to in 2021.

Thank you to all the activists who took to the streets in 2020, risking literal life and limb to do so. Thank you for telling your stories. Thank you for telling me what were the good orgs to donate money to. I hope in 2021 we can make progress on defunding police and treasuring black life, and not have to take to the streets and protest every time the police kill a black person.

And to thousands of firefighters, across a dozen states, who left their families (in the middle of a pandemic) to fight the worst wildfires ever (during a pandemic). Thank you for working to keep the homes of total strangers safe. I’m really sorry that the season was so long, and hard, and relentless. I hope you’ve had a few good nights’ sleep since October.

Thank you to the people who gave me stories to read, listen to, play, or watch in 2020. Thank you to everyone who figured out how to find the bandwidth to do creative things in 2020. Thank you especially to the people who made things lighthearted and compassionate, things that seemed as far away from 2020 as possible.

Thanks to the kids, the little ones. I know that in a lot of ways you don’t even know how fucking weird this year was. Thank you for being adaptable, for being bouncy and bubbly and bringing us all up with you. I know that I spent a lot of the year wishing that everything would be less noisy, but the truth is, if you were less noisy, I would be a whole lot sadder. Thank you for continuing to find fun and excitement even within all of this nonsense of a year. I hope I was able to support you in a way that was helpful.

Here’s to 2021 being better in any number of ways than 2020.

From Greek myth. A frightened and wild-looking Kronos eats one of his children.

Saturn, by Goya. 1820-ish.

There’s a painting by the Spanish artist Goya. It lives in the Prado Museum in Madrid, but you’ve probably seen somewhere. It’s a very famous painting. You can buy it on t-shirts and mouse pads and things. The Prado website just calls it “Saturn,” though I’ve also seen it called “Saturn Devouring His Son.” On a dark background, the Titan Saturn (the Roman version of the Greek Cronus), an old man, wild and desperate, is shoving a bloody, helpless body into his mouth.

I was listening to a podcast about the myth of Cronus eating his children this past week, and (perhaps using the Goya painting as an inspiration) it was very detailed in its description of how Cronus’ body changed and failed him after he started eating his children, who could not die, but who he also could not digest. How swollen and distended his belly became. How he became bedridden, trying to hide from the other Titans how uncomfortable he was, how weak. Cronus, who castrated his own father with a sickle, and was afraid of a prophecy that said that he would be deposed by his son in return.

There’s a lot of myths about power and how to use it, and some of them are about how power corrupts (hello, King Midas), but very few myths about it turning somebody grotesque, misshapen, monstrous. It makes me think a little bit of No Face in Spirited Away, eating customers in the bathhouse, or even of Chihiro’s parents, eating enchanted food until they turn into pigs. Jacob Marley, maybe, weighted down in the afterlife with chains and locks. It also made me think of the episode of The Simpsons when Springfield legalizes gambling and Mr. Burns gets even more filthy rich, and starts taking on qualities of Howard Hughes (oddly, it doesn’t make me think of Howard Hughes, who clearly had some mental illness stuff going on in addition to his enormous fuck-off levels of wealth and power, but Mr Burns has the privilege of just being cartoonishly evil).

A square of four images: No Face from Spirited Away, swollen and misshapen from overeating; Chihiro's parents from the same movie, turning into pigs; Jacob Marley from A Christmas Carol, chained up and pale; and Mr Burns from the Simpsons, bearded

Being corrupted has consequences, eventually.

What if the Pale Man in Pan’s Labyrinth was a metaphor for power, and not just greed?

There’s a song that’s been running through my head basically since DJT was elected, but especially since George Floyd was murdered and America started going to protests instead of our jobs (because so many people had lost their jobs). It’s called “Timebomb Generation” by the hardcore band Strike Anywhere, and it was released in 2001. “What does it mean to take their power and push it away?/To overcome this culture and the lies they tell them everyday?/Find a voice for a better future and a place for you and I to face our fears/Fall down to rise back up.”

America is sick. For awhile we could call it polarization, division, culture wars, whatever. It started with racism, and it started with white people having power and wanting to keep it, and with every cultural revolution, white people scrambling to keep their power. Even if it harmed us economically, even if it harmed us spiritually. I suppose if we couldn’t be bothered about the physical and emotional trauma that we were inflicting on millions of African-Americans and Native Americans and Chinese people building railroads and Latino migrants in hieleras, it is particularly white-girl-naive of me to think that we would give a shit about our own spiritual, mental, and economic wholeness. We put billions of dollars into colonialism and imperialism and imprisoning and disenfranchising a huge part of our population, instead of building a system of empowerment and liberation that would surely benefit everyone. Right now in multiple police departments across the nation, officers are turning on the citizens they ostensibly protect with weapons of war because the citizens had the audacity to say that they don’t want to be policed any more, not this way, not at this cost. We cannot build a system of justice because we are too invested in our system of power, and too afraid to try anything else.

America is a wild-eyed, broken, bow-legged old man, terrified and eating his children in a futile hope to keep the world from changing.

Cronus created his own demise by eating his children (Greek myths are full of people who try to escape from fate and end up creating it). Next to him was his sister/wife/victim Rhea, losing child after child to his endless fear and appetite. Her desperation grew, and out of it came anger, and then vengeance, and a plan. Out of it came Zeus, and swaddled stones, and eventually, a warrior who could depose his old, sick, corrupt father.

What if Cronus had made different choices? Interestingly, in Greek myths, characters are often both ruled by fate and yet entirely in control of their own destiny. What if Cronus had accepted his deposition from power as inevitable, even beneficial, for the continued health of the universe he ruled over? What if he nurtured his sons and daughters, raised them to be a family, and work together?

What if he took the power and pushed it away?

How do we both acknowledge the power that we have, and use it to the benefit of those who have none…and then push that power away? Not in the silly context of saying “I renounce my white privilege!” as if that’s all it takes, but if we as a culture truly reckoned with what it would take to dismantle that system that gave us all this power, and corrupted us deep into our souls?

And what would the world be like if we did?

Ripping off Scalzi, Day 3: Home

I am still (and maybe forever, now, at this point) trying to get into the habit of writing more than I am worrying about what I write about, so I am still taking inspiration from John Scalzi who wrote a 20 year retrospective on his blog, covering 30 different topics over the course of a month (it was in September 2018 if you want to go find them). Day three is home.

Since I’m one of the many millennials who can’t now/maybe can’t ever afford to buy a home, I think about this more metaphorically, I guess. Emotionally. Sometimes I think about my house, which doesn’t exist yet: It has hardwood floors, and windows that let in the sunlight. It’s an older house, not one of the modern boxy monstrosities they’ve been building in Denver for the last decade or so. There’s a garden in the back, though I imagine myself composting more than I imagine myself actually growing anything. There’s a dog or two. There’s a big wooden table where I can eat and work on projects. In this daydream, I am the sort of person who remembers to sweep baseboards and dust things and so everything is homey and clean and maybe a little shabby, but not dirty. I have hammocks in my backyard. I have a nice shade tree. I have money saved up to buy a new roof or a new water heater. I have a nice human that lives with me, whether a partner sort or a roommate sort isn’t important, but we agree on things like making soup on cold days is good, and a clean bathroom is healthy, and nobody eats anyone else’s food without asking first. I can walk to work, or bike there, in less than half an hour. Friends come over to play Dungeons and Dragons. It’s a very nice house.

Sometimes home is a place, right? We usually define home as a place.

I grew up amongst Quakers in the Western US, and for the past 15 years we’ve had our annual gathering in northern New Mexico, in this conference center in the high mesa country. It’s hot and buggy and the accommodations leave something to be desired (I just got an email that some of the older housing is not available this year due to “structural issues,” because they are letting buildings fall down instead of repairing or replacing them). It’s beautiful, don’t get me wrong. And it’s where some of the people I love best in the world go every year. But I don’t go for the mesas or the rocks or the sunsets or the little lizards. I go for the people. We’re changing sites next year, and some people have said that if the gathering isn’t in this one specific place, they won’t come. Which: what the fuck? You were never supposed to come for the scenery. We’re not there to worship the scenery. We’re supposed to be there for each other. You know that Billy Joel lyric, “I need you in my house, ’cause you’re my home”? Yeah. That. That’s how we’re supposed to be with each other. A friend of mine grew up in a lot of different houses during his childhood, and for him, when he thinks of home, he thinks of his church building. Across a lot of childhood moves, that was the place that stayed constant for him.

Other things that make me think of home: Roasting marshmallows over a campfire and making s’mores. Watching rain fall into a ditch in New Orleans. Powdered sugar down my front after eating beignets. Hanging my arms over the rail at a concert right before the band takes the stage. Standing on the top of a mountain, either after climbing it or right before bombing down it on my snowboard. Taking a deep breath while standing under the sky. Lying on a couch with a dog draped across my legs.

I’m in my mid 30s now (I don’t have to say late 30s until next year, fuck you), and am starting to realize that there’s some markers of “responsible adult” that I’m not just late in hitting, but may never hit. Home ownership is one of them. Having kids is another. And that feels fine, as long as I can remember not to compare myself to anyone else or what they’re doing and accomplishing. I would love to have my little square of the world all to myself, but it’s also a thing that I’ve learned to want because I’ve lived in the US for my entire life, and home ownership is huge here. So if I never get my own house, if I have roommates and apartments until the day that I head for the old folks home, how do I maintain that sense of home? Can I remember that home is a feeling, not a place? Is that how we win in capitalism?

Because love is free and life is cheap,
And as long as I’ve got me a place to sleep,
Some clothes on my back and some food to eat,
Then I can’t ask for anything more.
—Frank Turner, “If Ever I Stray”

Note to a kid and also myself

makegoodart

Picture by Gavin Aung Than of zenpencils.com

“You can, you should, and if you’re brave enough to start, you will.”
—Stephen King

Recently, I was going through my google drive to see what I could clean up. Docs tends to be where I start impulsive projects, or where I take notes if I’m out and about somewhere and don’t have a pen and paper handy. I get started, write a few paragraphs, realize that I have no real place to go with it and no conclusion, run out of time, and close the app. I never remember to title these bits and pieces so my drive is full of “Untitled Document” with only the creation date to differentiate them. And every now and then I go through and try to figure out what I can expand on and finish, and what I can just delete.

This time, though, I actually found something interesting. Marginally. In 2017, I was on a panel at Denver Comic Con about writing fanfic (DCC has since been renamed something that won’t get them sued by the San Diego Comic Con, who have decided that they are the only comic con, but I never remember what the new name is, so in my head the event is still, and probably always will be, the Denver Comic Con). I was working at the public library at the time, which often organizes a bunch of family-friendly panels covering various aspects of nerdly books/movies/fandom. It was fun, if terrifying, because I’m not exactly known for my public speaking skills or confidence. We covered a bunch of topics, from writing generally to a history of fanfic to an overview of a few of the largest sites, like AO3 and fanfiction.net. I went first, and spoke about writing generally. It was…not a lie, exactly, but more of an aspirational talk than a factual one, because I was (and still am) struggling with writer’s block. I was giving advice to kids that I was having trouble taking myself.

But anyway. This is more or less what I said. I have gone through and edited and updated it, since it’s two years old:


I took on the task to make a case for writing, which I think is both easy and hard, because to me it comes down to this: If you want to be a writer, if you want to write, you should write. And you should write what you want, and what you enjoy. Period, the end. That’s all you really need to be a writer. Everything else is details.

“We owe it to ourselves to tell stories.” That’s what Neil Gaiman says. Especially in this day and age, in this culture, when it’s so much easier to be a consumer than a contributor, we must tell stories. In this age when so many of our stories are fed to us by corporate behemoths who write by committee, we owe it to ourselves to tell stories. Don’t wait for someone else to write the story you want to read.

When I was in high school and college, I got intimidated out of writing what I wanted to write. I thought that if I was going to be a “real writer,” I had to write stuff like what I was reading in English class. I thought I had to write like Steinbeck or Tolkien or Toni Morrison. I don’t even know where I got that impression. It certainly wasn’t anything that anybody told me, but more of a vague idea of what a Real Writer looked like. If I’d been cognizant enough of it to articulate it, any adult would have told me what I’m telling you now: write whatever you want, and don’t worry about whether you’re measuring up to Charles Freaking Dickens. Don’t worry about symbolism or theme or whether your subject is weighty enough. Soap operas get dragged for being silly and impossible and overly dramatic, but their writers get paid like anyone else. Chuck Tingle writes stories about being pounded in the butt by [insert noun or sometimes figurative idea here] and got nominated for a Hugo award. Don’t worry about whether it’s worth it. Worry about finishing. Just write it, whatever it is that’s in your head.

So, with that manifesto out of the way, I thought I’d spend a minute talking about some specific advantages to writing fanfic especially if you’re a new writer.

Sometimes it seems like people will only consider you a “real fan” if you know everything about the thing that you’re a fan of. Don’t get me wrong, knowing everything about one thing can be cool and fun if that’s your jam. I have a friend who owns every single Daredevil comic ever written. He can name all the all the writers and artists and often what issues or arcs they worked on. If that’s where your fandom happiness lies, go for it. More power to you, and I hope you make editor someday. But if you want to write, and you’re hesitating to start because you fear that you don’t know enough yet–stop that. Start writing. Stop doing homework and start writing. There’s a ton of resources out there about how to write, but they all boil down to: Sit with a pad of paper and a pen, or with your computer, and start putting words on paper. That’s all you really need to get going. The rest you can learn.

Fandom is changing, and with the internet comes a lot of gatekeepers, but there’s also a lot of people around who are determined to burn the gates to the ground and piss all over its ashes. Just as you can write whatever you want and however you want, you can define fandom however you want. It’s your fandom. Love the Good Omens miniseries? I definitely recommend reading the book if you haven’t, I think it’s great, but don’t feel like you have to read the book and also Neil Gaiman’s tumblr asks where he answers questions about it and also the script book and also the TV companion book before you can write your story. Do you want to cosplay Wonder Woman even though you’ve only read a few issues, but Comic Con is soon and you love her armor? I sure won’t stop you. And anyone at a con who starts quizzing you about all her writers and artists and storylines is doing it wrong. Don’t let them discourage you. Fan fiction is great because you can just start.

If you’re wanting to get published, sure, different standards come into play. Grammar and style and structure and (probably) using characters you created instead of somebody else’s. But this is fanfic. This is fun. There is where nothing but possibility lives.

You get better at writing by writing. The first thing you write will probably be terrible. That’s okay. The more you write, the more you’ll find your voice.

Ripping Off Scalzi, Day Two: Money

fabian-blank-78637-unsplashI just saw Avengers: Endgame, which I feel like I can’t talk about yet, so instead I thought I’d come back to this entry that I started writing oh, hey, six months ago.

This is another entry in which I take inspiration from John Scalzi, on his blog Whatever, as he continues his twenty-year retrospective of blog writing. He is on day 26. I am on day 2. At this rate, I’ll be able to keep bouncing back to his blog until the end of the year. Up today: Money! And how I have none of it! (Well I do have some and I’m insanely lucky in some ways and I suppose we’ll get to that.) So far Scalzi has blogged about cats and money, two things that I don’t have any of.

I grew up in a house that always had enough money, enough food, Christmas presents under the tree. I’m fairly certain that my parents never had to worry about having enough money for Christmas, though they didn’t exactly go wild with materialism either. They were and are very deliberate with their money, something I’ve only come to realize in hindsight and observe as an adult. Like Christmas and birthday presents were always a thing, but cable TV? Never a thing. We never had cable television in my house. We only had dial up internet until after I moved out. But that had less to do than my parents not being able to afford it than it did my parents not wanting to spend money on garbage. We could go on a trip every year. My parents have their retirement worked out. My dad pays off his credit card bill every month. Whatever long term plan the books tell you to follow to financial security, my parents followed it.

And then they raised me, and I had no idea what the hell to do with money until well past age 30. Osmosis and environment didn’t do the job there. Part of it is just that I barely ever had any money of my own. In elementary school I got $1.25 a week in allowance, and even though this was the early 90s, it was still below average for my classmates. In middle school I got $5. The last couple years of high school I got $20, but I was responsible for buying my own lunches at school, which ate most of it (I never did what would’ve been the smart thing and made my lunch while still pocketing the $20). I think I was a junior when I got my first retail job, and I worked all through college, but after college I never quite transitioned from retail/coffee shop jobs into “professional” jobs. I just kept coffee shopping. For most of my twenties I probably earned between $20-$25k a year. I had roommates, I had a landlord who was happy to rent their space to us for below market value for some reason, I never went to the doctor, I didn’t own a car. But still, every dollar I made was basically spent the minute it landed it my account. I never learned to budget, never learned to not splurge. If you know you’re going to be running out of money anyway, why not just spend it on something that’s fun? If you have to buy food, why not buy hummus instead of beans and rice?

Could I have been thriftier? Sure. But I also had a fundamental income problem. I was earning like $9/hr and had no health insurance. (I think this is a really common millennial dilemma, by the way: Not being able to figure out where your own mistakes end and the shitty system you find yourself in begins.)

In 2010, I made the dumb decision to go back to school. Dumb because I had no way to pay for it, so I took out loans and asked my parents to help me, and they did because education is basically the one thing they’ll always help pay for. This led to my dad discovering exactly how bad I was with money, how much I don’t keep track of it, how much of his I was spending, how little of it I could account for it. I remember him shoving a paper copy of his budget/yearly planned expenditures in my face in frustration, asking Why the hell I couldn’t just do this. What was so hard about this?! And I felt so dumb. So, so so stupid. It took a couple years before I realized, wait, where the hell did he think I was supposed to learn this? When was the budgeting 101 conversation supposed to happen? Should he have taught it to me? Should I have learned it from school? Should I have gotten a book out of the library? Like I’m sorry I’m a dummy and I’m sorry I didn’t take steps to fix this ten years ago but also basically no one ever told me how I should do it or even that I should learn it. It was just assumed that I knew. 

Actually, I had tried to learn, now that I think about it. I read a couple books by Suze Orman and other personal finance people whose names I heard from Oprah. I had a Mint account where you were supposed to set a budget, and I did the thing they tell you where you write down every single cent you spend in a little book. This is supposed to make you more deliberate and thoughtful with your spending, kind of how logging all your calories supposedly helps you eat less. Neither of those things worked for me. I went overbudget every month. I would forget to write down my expenditures after a few days of trying. It just did not ever work for me. It was like, every month, I looked back, saw that I had fucked up once again, tried to do better the next month, only to discover that I’d gone overbudget on everything again. It was exhausting, and discouraging, and just made me feel like an idiot. Like maybe I’m just bad at budgeting. I always struggled with math. Maybe budgeting just wasn’t my thing.

But anyway. I came back from New York poorer, sadder, and feeling a whole lot dumber than when I left. And now I had student loans, and the same income (once I found a job) as before, so I had to learn budgeting. Had to.

Somehow I stumbled upon zero-based budgeting, and no exaggeration, it changed my life. I use a service called YNAB (You Need A Budget), which costs money but it unlocked a whole world of personal budgeting for me, so it’s worth it. It’s also called “the envelope system,” which you may have heard about through Dave Ramsey. (Dave apparently didn’t get along with Oprah, which is how I ended up trying to follow Suze Orman’s system instead of his all those years ago.) Instead of looking backward at all the money I had spent in the last month, instead of trying to budget based on output, zero-based budgeting has you look at the amount of money that you have, and allocate funds to categories based on that. Like if your rent is $1000, but your paycheck today was only $750, you cannot put $1000 in your rent category. You just can’t. That money doesn’t exist. This somehow managed to switch my perspective around so that I was looking forward with my money instead of backwards. And I started to think about my money in terms of category balances, instead of bank balances. The fact that my bank account has $1000 in it means nothing, my Movies category has $0 in it, and so I’m not going to the movies. YNAB also highlights categories that you’ve fully funded with a little green circle, and I’ve kind of made it my mission to get categories green and keep them green. It gamifies it just enough that it works for me.

So that’s been my past four years or so. Turning into a person who actually knows what’s in her bank account and what her credit card balances are. I have a retirement account with multiple hundreds of dollars in it! I also have a personal net worth in the negatives (because of student loans), but I’m paying on those too and watching balances decrease. I save for trips and pay for them out of pocket instead of on credit cards. Who knew. I’m a person who can budget, given a wage that is more than half the median national income and the tools that make sense to my brain. And that is no small victory, as far as I’m concerned.

 

Random resources that helped me, in case you’re looking for help:

  • YNAB software. It currently costs $84 a year, which is probably less than you’re paying for Netflix, but is also more than I’m paying currently (I got grandfathered in to what the cost was when I signed up). If $84 seems like too much, they have a YouTube channel where you can watch tutorials for free and get a sense of zero-based budgeting. There’s a bit of a learning curve with the software, but once it clicks, it’s like a whole new world and you’re off to the races.
  • Dave Ramsey. I listened to his podcast a bunch, both to learn and to keep myself in the mindset of being mindful with my money. I’m pretty sure I disagree with him about just about every social issue, and I don’t like how he steers college kids towards prosperous careers instead of doing-what-you-love careers, but when it comes to finance stuff, he has absolutely helped me.
  • Bad with Money, a podcast by Gaby Dunn. It also helped keep my attention focused, and I appreciated her perspective of “I’m fucked up and don’t know anything about this and that’s my bad, but also, the system itself is not much better.”
  • Various communities on reddit, including r/personalfinance and r/ynab.

Who Lives, Who Dies

(Note: This was mostly written in early November 2018, after the White Privilege Symposium that took place in Denver November 2-3.)

“Words make worlds.” This from poet Dominique Christina, in a YouTube video that I’m watching because I’m hoping to find a piece she performed this weekend, one about the social coercion that the mere threat of violence has on a community. Her talk on Friday was not about words at all, but about the mute spectacle that is Emmett Till in an open coffin, Michael Brown uncovered on a Ferguson street, David Jones hung from a lamp post in a town square in 1872. Darren Wilson didn’t plan to kill Mike Brown that day, but leaving his body out on the street for his neighbors to see? What message was that? What do we hear from Emmett Till, who lives still, a ghostly reminder of What Could Happen To You? Broken black bodies follow Dominique and her son through the world. Another speaker this weekend, Theo Wilson, spoke of the anger and powerlessness that threatens to eat you when you realize how quickly a police officer having a bad day (or, let’s face it, having any kind of day) can ruin your life. He spoke of how many friends he’s had to bury.

If you’re a white person learning to talk about race, maybe you’ve noticed that it’s really hard to get white people to talk about race? But you can play Telephone. When black people talk to me about what it’s like to be black, in the background–especially if you’re listening to a black person talk about racism–there is a white person, talking about race to a black person. Those are the messages I listen for, because that is the behavior I’m trying to undo in myself. It’s easy to have compassion for Emmett Till’s mom. She’s central in the story that’s told about him. But I’m a white woman. I will always be on the other side of this interaction. Emmett Till was not my son. Emmett Till is not my phantom.

My phantom is Carolyn Bryant Donham, who looked at Emmett Till and said, “That boy put his hands on me.” Who shaped whole worlds with those words. She said those words (or something like them) in August 1955, said them again at a murder trial to get two white murderers acquitted, and then said nothing more for sixty years, when she admitted that it wasn’t true, that the boy hadn’t done what she said. In the meantime, Emmett’s mother had died. She never had another son.

My phantom is white women who call the police on black children for doing things like selling bottled water or mowing lawns or playing with a pellet gun in a park. On black adults for doing things like using a barbecue pit, or shopping in Target, or sitting in Starbucks.

A tweet went viral awhile back that goes something like, “I have a new game, especially for other white people. It’s the ‘don’t call the cops’ challenge, and basically you start by not calling the cops, and then continue to not call the cops for the rest of your life.” These days we don’t call up a lynch mob. The police have taken the place of the lynch mob. They pass immediate, deadly judgment every time they roll up on a call. We don’t have to call the local Citizens Council; we call the local police non-emergency number. Who called the police on Tamir Rice? Was he white or black? I have a guess.

It’s not that simple, but also it is. As a woman I have to be able to name threats to my safety. Carolyn Bryant Donham, who named Emmett Till a threat, was physically abused by her husband, who killed Emmett. But it was Emmett, not her husband, who she targeted with her words. It was Emmett, not her husband, who she had power over. It was Emmett, not her husband, that she could name as a threat, and have that statement be believed, and acted upon.

One of the oft-stated reasons for lynching was to protect white women from black men, but it generally wasn’t black men that we needed protecting from. And yet, the power of a white woman to call a white man (whether her local police officer or her local Citizens Council) and say, “This black person is bothering me,” and bring the oppressive machinations of society crashing down on that person’s head, has remained unchanged for the last hundred years.

Words can make worlds. Silence can send messages. But I want to, hope to, need to skip the 1955 words. Skip the sixty silent years. Start, in 2018, with truth that is not imbrued with fear, with words that will not destroy anyone else’s world.

Down in the Hole

“Well I’ll tell you one thing that I know.
You don’t face your demons down, 
You gotta grapple ’em, Jack, and pin ’em to the ground.”
–Joe Strummer, “Long Shadow”
Every June, I go to a conference in the mesa country in northern New Mexico. There’s a couple hundred people of all ages, no cell phone signals, sleeping in rustic cabins that have spiders and occasionally rodents, bitey juniper gnats, no cars. It’s great.
The high school and college aged kids stay together in their own building, and most of the rest of us only see them at mealtimes or maybe for an hour or two a day. They do their thing, and their thing is good. In less than a week they assemble and foster a community so strong it carries them the rest of the year (or at least it did, when I was part of that group, and I see no signs that it’s changed with the passage of time. If anything, the creation of social media has helped them keep the community connected over the rest of the year). This year, even though I never saw the kids for more than an hour or two a day, I found myself buoyed up every time I was with them or thought about them. They are such a great and fantastic group of kids (they are not all kids, as the age group goes up to about 22, but I considered myself a kid when I was part of the group and the terminology stuck). Strong and funny, grappling with the world, struggling and dancing and listening to each other. They’re not angels, they’re just regular human teenagers, and they amaze me. I am in awe of them even though/because I know they struggle. I know some of them have mental health issues or substance abuse issues. General life-as-a-teenager issues. Some of them have lost dearly beloved family members, and that shreds you at any age. But they’re stunning people all the same.
It’s hard to even try to describe how happy they make me, partly because there’s no way to do it without sounding hokey, and partly because I’m afraid that if they knew how much someone was watching and enjoying them, it would make them feel self-conscious and weird and they would stop being so fabulous. But they’re the light of the world, okay? They’re great and amazing. I see differences in how I was as a teenager/young adult and how they are now and they are so far ahead of me and so wise. I can’t wait to see these kids run the world. That’s what I was thinking that week, six months ago, in June 2016.
And then on the drive home, still going in and out of cell service, I started checking Twitter and Reddit and found out about the shooting in Orlando that had happened the night before. And just like that, all my rosy and optimistic thoughts about The Youth, they all evaporated, replaced with dread and sorrow and regret.
Because I was supposed to make this world safe for the queer kids of the future, black kids of the future, Latino kids of the future, Muslim kids of the future. I was once The Youth, and I charged myself with changing the world. But I haven’t. We haven’t. Shit like Matt Shepherd’s murder and the shooting at Columbine, those were supposed to be the high water mark of shittery. Not the floor. Michael Brown’s death, Trayvon Martin’s—hell, Emmett Till’s—were supposed to be the cultural turning point. Not the beginning of a new season of violence on black men. And now we have these beautiful kids—queer and not—that are going out into a world that isn’t safe for them. And what do we do? What do I tell them?
So I’ve been carrying that around with me, trying to figure out how to write about it, trying to find some wisdom, and in the meantime 2016 carried on being the oozing Vogon of a year that it is, and now it’s December and some aged orange troll is going to be president and it’s so much worse. I admit that I was one of those who was just waiting for the election to be over, because I assumed that Clinton would win and we could all move on with our lives. I did not give one second of thought to what would happen if Trump won. (This is, incidentally, me showing off my White People Problems, because when I read post-election reactions of PoC on Twitter, I was reminded that African-Americans—particularly older African-Americans—have always known just how racist America is, and that white people still don’t know.) A bunch of old white people who will die before the world fully catches on fire have burdened us (and the world) with a 70-year-old man-baby who may very well destroy the country and/or the planet and/or all the civil rights gains we’ve spent the last 100 years trying to attain, and we’re going to be paying for that decision for decades. Now it feels like I have to fight the battles of my mother and grandmother all over again. And I still don’t know what to tell these kids, these kids who don’t even know how amazing they are.
In my worst moments, I think that maybe we should be raising our kids to be harder. If I had less of a “saving people thing” (as Hermione puts it), if I didn’t care so goddamn much, this wouldn’t be so hard to live through. I know there’s some that do that, that teach their kids to encase themselves behind walls so that the world can’t crush them. But then, I don’t know the difference between hiding your light and extinguishing it. Maybe there isn’t one. I don’t know. I don’t know what to tell you, you beautiful kids. I’m sorry. I wanted the world to be different. I assumed it was different. Getting bruised by the world is inevitable, and nobody can keep you safe from that. But now I’m worried that you might just get crushed, and that’s different.
I don’t know what to do to survive this, to fix it.
I had a conversation with a friend of mine when we were 17 or so. She’s social justice-y like me, and in our fabulous teenage naivete we both felt like the larger historical battles against injustice were done. Slavery had been abolished, Jim Crow was over, women could vote and have abortions. It seemed like the last big cultural battle left was gay civil rights, and then after that we’d just mop up some of the leftovers that hadn’t 100% gotten the message about how we do things now, places like Jasper, TX. But, we thought, we could relax. It was done. We just had to finish what had been started, tackle the totally surmountable problems of injustice in Palestine and famine in Africa, and we’d be good. The world would be good.
But progress isn’t inevitable. I learned that this year (more importantly, I learned that that was a thing that I thought was true). There is no moral arc of history, there’s nothing about our culture or species that says we can’t also go backwards, erase everything we did fifty years ago. There’s nothing in our culture or history that is assured. We are stuck in this shitshow for the duration. Water goes over the wheel and right straight back into the same fetid pond.
I don’t know if it’s a silver lining, precisely, but there is one small comfort in the whole “progress is not inevitable” truth: we need you. We won’t be okay without you showing up and demanding better of us. You can’t sit this one out because on some lower level you think it’ll happen with or without you. It won’t happen. We won’t move forward.
So do the thing.
Write the story. Go to the protest or the city council meeting. Start the band. Sign the petition. Plant the garden. There are millions of things that won’t get done unless we do them.
One of my favorite shows is The West Wing. And one of the most famous and quoted pieces of dialogue, from anywhere in the whole series, is in the second season, when Leo (the White House Chief of Staff) convinces Josh (the Deputy Chief of Staff) that it’s okay to need help. That it’s okay to not be okay. This is the story that Leo tells Josh:
This guy’s walking down a street when he falls in a hole. The walls are so steep, he can’t get out. A doctor passes by, and the guy shouts up, “Hey you, can you help me out?” The doctor writes a prescription, throws it down in the hole and moves on. Then a priest comes along, and the guy shouts up “Father, I’m down in this hole, can you help me out?” The priest writes out a prayer, throws it down in the hole and moves on. Then a friend walks by. “Hey Joe, it’s me, can you help me out?” And the friend jumps in the hole. Our guy says, “Are you stupid? Now we’re both down here.” The friend says, “Yeah, but I’ve been down here before, and I know the way out.”
I’ll be honest: I don’t know the way out of the hole. I don’t know if anyone really does. What the United States is trying to accomplish, has been trying to accomplish since our infancy, is knit together many disparate groups into one cohesive and just whole. It’s not something that’s ever been successfully done, on a large scale, in the history of the world.
But I’m in this hole with you. Because you’re my friend. The rest we’ll figure out together.

A Mutant Origin Story

mutieI’m near the younger end of my cousins. I have four cousins younger than me, and twelve that are older, so when I was a kid and we went back to Louisiana to visit them, I was almost always one of the youngest ones there. So sometimes, while my parents talked with their siblings, I ended up doing not-entirely-age-appropriate stuff to entertain myself. Like when I was seven or eight and ended up in my cousin Daniel’s bedroom digging through his X-Men and Spider-Man comics and reading them. I didn’t know anything about the X-Men canon. It was in the middle of Chris Claremont’s epic run on the series, and a lot of it went over my head, but a lot of it settled in my subconscious, and planted seeds in my memory. I certainly learned the names of Cyclops, Storm, Nightcrawler, Wolverine, Kitty Pryde, and Jean Grey. When Fox started airing the X-Men animated show in 1992, I was all over that shit like white on rice. The universe became clearer, and I started reading X-Men comics more regularly (but still pretty piecemeal, since I didn’t have access to a comic book shop) and assembling the universe in my head. The X-Men and the Evil Brotherhood of Mutants. Sentinels. Senator Kelly. William Stryker.

(Note: It was a mystery to me what X-Men story I had read first, because all I had was a memory of a single panel: of Nightcrawler lying unconscious and bleeding from his ears while the other X-Men stand over him in concern and a vague understanding of mutants as an oppressed minority rather than a crew of superheroes. It wasn’t until recently that I read God Loves, Man Kills by Chris Claremont and realized that that was the comic I had read decades earlier at my cousin’s).

Early on in the Fox series, there’s a plotline in which two scientists discover a “cure” for mutantism. I forget how the X-Men find out about it, but they do, and their reactions all fit their personalities and personal histories. Wolverine immediately sees it as a tool to eliminate mutants’ powers and neutralize the perceived threat of mutantkind; Rogue, not so much. As one of the mutants whose powers are both an ability and a curse, Rogue (as well as Beast) tend to be the most ambivalent about their mutations, and tempted by the idea of a cure. Peaceful, optimistic Charles Xavier disagrees with the very premise. “Don’t say ‘cure,’ Moira. Being a mutant isn’t a disease. It’s something you’re born with,” he tells Moira McTaggert, one of the scientists. (This is the same plot line that Joss Whedon would handle for his run writing the Astonishing X-Men comics in 2005). It is, basically, the neurodiversity argument, only written in 1992 for a grade school-level audience.

I think it’s this storyline (and others like it), rather the ones that deal with a planet in danger or intergalactic space war, that drew me to the X-Men. Pretty early on, I picked up on threads that I translated into the X-Men being code for people with disabilities. One of the earliest questions that I remember being asked about my sister (besides “What’s wrong with her?” and “What’s it like having a sister with Down’s?”) had to do with whether I would change her if I could. Magically suck the extra chromosome out of every single one of her body’s cells. I don’t remember how young I was when I first heard about the high abortion rates for fetuses with Down’s, but it’s been in my head since at least middle school. And even though I never witnessed people being cruel to my sister, I did witness neurotypical classmates of mine being cruel to disabled kids at my school, and being mocking in general of anyone in special ed or remedial classes. It became really easy, in my head, to equate “Do mutants have the right to exist?” and “Do people with disabilities have the right to exist?” To see “retard” and “mutie” as linguistic cousins. The fear and hostility that mutants experience when they interact with regular Homo sapiens sometimes feels familiar when I hear people talk about people with disabilities. The parallel ran so deep in my head that I was honestly surprised when I got to high school and college and started talking about the X-Men with other people and realized that for them, the parallel was between straight people and queer people, or white people and people of color. That there might be many parallels had honestly never occurred to me, so deep and solid was my understanding that “mutant” was code for “disabled.” (This was before I read Chris Claremont’s statement that for him, mutants could stand in for any outsider population. In the introduction to the trade paperback version of God Loves, Man Kills, Claremont says, “Mutants in the Marvel Universe have always stood as a metaphor for the underclass, the outsiders; they represent the ultimate minority.”)

It crystallized slowly for me, over the course of years. Not all–or even most–storylines have to do with mutaphobia, after all. The X-Men fight against Magneto and fight against the Shi’ar (and fight with the Shi’ar), and there’s the Phoenix Saga and numerous interpersonal dramas and secondary mutations and all that. To read the X-Men is to get to know them from the inside first, their individual histories, their powers, how they feel about those powers, their flaws and foibles, their courage and tenacity, their creativity at solving (or blasting through) problems. You know the X-Men as individuals, make friends with them, and as the stories pile up it slips your mind that the rest of the comic universe world doesn’t see them as individuals, but as a blanket population. You don’t always have to be aware of the fact that a small but significant percentage of the non-mutant population hates mutants, fears them, and wants them dead.

I came to knowledge of my sister’s disability in much the same way. I was three–almost four–when she was born, so I didn’t have any concept of what Down syndrome was. She was just an eating, pooping, crying (and eventually giggling) machine. Your basic human baby. By the end of elementary school (when she would’ve been around seven and me around eleven), I had a pretty good handle on the definition of Down syndrome, but I had an even better knowledge of my sister. I knew how much she loved Barbie and Full House and that cheese was a fundamental dietary building block. I knew her love and her smiles and her stubbornness. I knew how much she was distressed by bees (and flies that might be bees) and automatic garage doors and anybody crying. I knew her. It’s hard to put all that aside and look at my sister from an outsider’s point of view and remember that there’s people who think that my sister is a waste of space. That she’s stupid. That she’s a burden on society and/or my family and that she shouldn’t exist. And there’s people out there who don’t think those things, but who are happy to tell me such things over the Internet because they know it’ll get to me.

I truly believe my sister is a gifted person, though not in the academic way that most people think of when they label kids “gifted.” Her gifts are of a more abstract sort: a deep and instinctive knowledge of chesed, of loving-kindness, of human joy. But the same genetic error that gave her those gifts also gets in the way, too. Gets in the way of her desire to live independently and have more friends. Gets in the way of my family’s desire that she live with economic stability and a reasonable amount of personal safety. Would she welcome the chance for a cure? I honestly don’t know. Like Rogue, her extra chromosome is both a gift and a curse. She can do many amazing things, but also misses out on a lot of opportunities that are easily available to “normals.”

It wasn’t until much, much later that I realized the other parallel. The angry one.

Because people with disabilities get abused at disturbingly, shockingly, unacceptably high rates in modern America. And every time I see it, in the news or wherever, it makes the muscles in my arms harden, and I stop breathing, and start looking for something to hit. Of course there’s never anything to hit. In those moments, though, I wish I was the mutant Pyro, so I could literally set the world on fire. In Whedon’s Astonishing X-Men, when Dr. Rao announces a cure for the “mutant disease” on television, Wolverine’s claws come out and he can’t retract them. “She called us a disease. Do you know how that feels?” he says.

Yeah, Logan. I think I do, at least a little bit.

I would set the whole world on fire. I understand Magneto’s fury in the face of human intolerance and bigotry, and why he’s given up on humans and on Charles Xavier’s idealism. Xavier wants to teach people tolerance and compassion, but that is the long fucking way around the problem, and in the meantime people are straight up fucking dying and why do I have to talk to you about not calling people retards when those same people are getting murdered? I don’t have time for that bullshit. It would be so much easier, so much more satisfying, to just throw cars at people and silence them.

When it was my own sister that got hurt, it didn’t feel like enough. Her getting hurt by somebody else felt like the end point of a long chain of dealing with the stupidity and apathy of “normals” and the inevitable vulnerability and invisibility that disabled people experience because of it. There had been decades of people asking, in so many words, “Why does your sister exist?” And then someone came along and decided that she existed to be his victim. He picked a vulnerable, invisible person, and he did it on purpose, because he knew he could get away with it. He thought she wouldn’t fight back. And he was largely right, because how do you teach somebody to defend herself when her default setting is that everyone is her friend?

And that is when I understand the anger that allows Magneto to channel enough power to lift an entire football stadium into the air.

That is when I understand the Scarlet Witch’s anger and desperation when she says, “No more mutants.”

That is when I understand Pyro throwing fireballs, because that’s what I would do, that’s what I wanted to do, to set the whole fucking world on fire for leaving my sister helpless and invisible and vulnerable to somebody who decided to hurt her.

I want to incinerate the world. I want claws like Wolverine’s. Because that’s the biggest thing that X-Men in the Marvel Universe have going for them, that’s their trump card. They can do astonishing things. Uncanny things. Amazing things. They can save the world when no one else can. And that’s a really good argument in favor of their right to exist. When all else fails, when morals and ethics and human compassion fails, mutant usefulness is still there. My sister, and people like her, aren’t stupendous. They aren’t awe-inspiring. They do not astonish, unless you’re willing to examine something quieter and more subtle than telekinesis. Given the chance, much as I like to imagine myself as one of Xavier’s noble X-Men, I’m probably closer to one of Magneto’s Brotherhood of Evil Mutants. More interested in defending, in fighting, than explaining. At least where my sister is concerned. Because it makes me so, so angry, the way this world treats the most vulnerable people in it.

But there’s this: I think Magneto feels very alone. At least, on days when I want to blow up the world, that’s how I feel: like nobody cares about this–either not enough or not at all–except me. And if their apathy was neutral, it wouldn’t matter. But apathy isn’t neutral. In the vacuum of apathy, people like my sister get hurt. They die. They’re left all alone. And that is when I have to go for a walk and calm down until I can hear the Charles Xavier voice in my head again. The one that insists that normal humans are worth teaching. The one that believes that humans and mutants can co-exist. The one who would never commit genocide, even though he has the mental power to make everyone’s brains ooze out of their earholes. I remind myself that I’m not alone. That there’s a lot of people–and not just in my family, either–who love my sister, who want to help her, and who are helping her.

My sister loves me. And I love her. She never gives up trying to do anything you ask her to do. There is nothing on this earth that could shake her faith in me. And maybe that makes me selfish, to want to keep that. Almost certainly it is. No more selfish than keeping her around because she’s the only one powerful enough to fight the Brood, but hey. We haven’t had much luck with convincing the world that the ability to love is enough of a utility to exist in a capitalistic society.

Sometimes I think about Ian McKellan (who is, as far as I’m concerned, Magneto’s alter ego) and the fact that, despite dealing with homophobia on a personal and professional level his whole life, he has not himself turned into a supervillian. The fact that, in spite of all they’ve been put through, oppressed minorities in this country (whether it’s disabled folks, LGBTQ folks, mentally ill folks, people of color, etc etc) have, without exception, never turned into evil supervillians. (I know I’m generalizing here, but keep in mind that this is what I tell myself in order to not let my heart get eaten by a murderous rage that burns with the heat of a thousand suns and cut me some slack.) Sure, there’s warlords in Africa and drug cartels in Mexico and Kim Jung-un in North Korea, and they cause enormous amounts of heartache and human damage, but they’re not exactly on the world-endangering level of Dr. Doom or the Red Skull. From a power and world domination standpoint, Barack Obama is the closest thing we have to a supervillain. Maybe Donald Trump. From the oppressed minority contingent, we don’t get Magneto. We get Martin Luther King, Jr.; a human of intelligence and courage that we certainly did not ask for, let alone deserve, but are so fortunate to have had in our midst. We get Helen Keller and Harvey Milk and Nelson Mandela. Bayard Rustin and Vincent Harding and Temple Grandin. Artists like Toni Morrison, Leslie Feinberg, Maya Angelou, Jeremy Brett. We get the beautiful people that I know from the progressive/leftist/anarchist organizing community in Denver, who have taught me about putting love into action and validating and standing up for yourself and others. We get community groups like the Black Panthers and the American Indian Movement and the AIDS Quilt and the Madres de la Plaza de Mayo. And that’s just in this past century. The world is full of thousands and thousands of heroes that we don’t deserve, and often don’t recognize while we have them among us. And that is the truly amazing, awe-inspiring, human superpower: The fact that, in the face of oppression and systematic violence and apathy, more often than not, humans choose to love and hope. They default to trying to teach other humans to be better. The fact that we have as many heroes as we do should send us all to our knees.

Thousands of Charles Xaviers walking among us, disguised as regular people. I like that.