Three Memories

A minifigurine shaped like a panda, and several D&D dice, including a D20 and two D10s.
I don’t have a good picture of Comic Con, so here is my panda minifig from my D&D game.

July, 2017. I’m at Denver Comic Con, in a room full of rows of chairs, and a projector on a cart set at an angle to find the screen in the corner. I find a seat on the aisle (I always find a seat on the aisle), as near to the front as I can get. We’re in a mid-sized breakout room for this panel, which is called “Marvel: Then and Now,” and it’s crowded enough that people are filling the seats, standing along the back wall, shuffling bags and cosplay weapons to try to make space for someone next to them.

The panel has three generations of Marvel writers and artists: Two old guys (like, in their late 80s, they rolled into the panel on mobility scooters) who were at Marvel in the 1950s, a white English man who started at Marvel in the late 80s, and a black woman who works there now and whose titles include Black Panther, Iron Man, and World of Wakanda.

The first question that the moderator asks is about how Marvel has changed since each panelist got into the business. One of the old guys said (and in spite of the quotation marks, I’m paraphrasing), “I don’t want to get political” (so don’t then) “but” (uh oh) “I started at Marvel during World War II, and the nation was one. And I think we need to make America great again.” (please be being ironic right now) “We need to just give him a chance” (oh dear) “He’s going to take down the Mexican mafias just like he made it safe for a black woman and her kid safe to walk down the street in New York” (stop talking) “and why can’t we be as one” (seriously though stop talking). He goes on citing “fake news” and random crime stories for several minutes. I’m not sure why the moderator didn’t interrupt or redirect; he certainly should have. The few people of color who were in the audience get up and walk out. I noticed some white people too. After a weirdly agonizing minute, as my ingrained training about being “civil” (or at least “not rude”) battles with my desire to not look like I was endorsing this shit by continuing to sit here and listen to it, I get up and walk out too. I feel like everyone is staring at me, even though I’m sure nobody was. Someone sitting on the floor probably crept into my seat and that was that.

Of course, the minute I got out into the hallway, I realized, well shit, now I don’t get to hear Alitha Martinez talk about her career, the things she’s done and what she enjoys about drawing for Marvel. Ain’t that always the way: old white dude takes up too much space, too much oxygen, pushing out other voices or making them impossible to hear. I find her booth later in Artist Alley, and buy whatever I can. She’s really nice, there with her teenage son, who’s helping her sell art and books when he isn’t off doing his teenage son thing.

Artist Alley. Remember Artist Alley? And how close everybody had to stand to each other in order to move around at all?


Laura Jane Grace from the band Against Me! sings at Riot Fest. The picture is of the large screens so Laura can be seen from far away.
Big Laura Jane Grace is big.

September, 2019. I’ve been awake since 2:30am, and only had four hours of sleep total anyway. Showered and walked to the train. Didn’t manage to fall asleep on the train. Got to the airline gate with enough time to spare to buy a bagel and cream cheese at a Smashburger, the only food place that’s open on the concourse. They don’t spread the cream cheese on the bagel even though they have a full kitchen. Just drop a couple of individual servings in the bag.

I doze on the plane, at least for a little while. I was the sort of tired where everything around you and inside you starts to feel fuzzy and unreal. Being locked in a dark tube as it hurtles through the air doesn’t help with this impression. After we land, I take the train into town and and find the hostel I’m staying in. Check in time isn’t until like 4pm, but they let me store my stuff in the luggage room so I can head right back out and take the train to Douglas Park, where Riot Fest is happening.

I have almost always gone to concerts, music festivals, things like that, by myself. It’s not weird to me. And I like being able to choose my own schedule, decide which acts I want to see, and not have to discuss it with anyone else. I like being able to pull up a patch of grass and read a book when I need some downtime. Chicago in September is sunny, and warm, but not unbearably hot. The Sears Tower (or whatever it’s called now) looms in the distance like a giant, hibernating Transformer. Riot Fest rents out lockers so I don’t even need to keep my backpack with me most of the time. The lines to the port-a-potties, though on the long side, move quickly. Same for the water bottle refilling stations. People are handing out free individual packets of Pedialyte to keep everyone moving and hydrated. I am not filled with the amplified excitement that I used to get when I was younger and looking at the lineup for Warped Tour, and I’m not interested in getting myself clobbered in the mosh pit anymore, but I am perfectly content, standing in the shade to see H2O over here, dancing in the sun to The Selecter over there, buying ice cream that is way too expensive, checking the Riot Fest subreddit and meeting up with a random guy who happily gives me a pair of foam ear plugs. There are a whole lot more Latinx people here than I remember seeing in the scene in Denver, and I remember how multiracial punk is, or could be, or should be, or has been.

I see Anti-Flag, who are still singing about how dying for your government is shit after all these years, calling for a circle pit “everywhere” (please no). I randomly see a band named the Thin Lips, they were good. Wander around the merch tents, the usual collection of tie dye and Bob Marley posters and skate decks and anarchist bookstore tents. I sit under a tree and watch Hot Water Music from a distance. I have a locker that I can lock and unlock, so every now and then I take out my homework and work on it in the grass while I wait for Andrew WK or the Village People to take the stage. .

There’s old punks, with grey hairs and battered Vans. Young punks, with shellacked hair and pristine Docs. It’s like Warped Tour, but more low-key, and with more older punks. There’s a breeze, trying to clear out the humidity and the smoke from various types of stimulating leafs. The grounds crew tried to fill in the soft spots in the ground with wood chips to prevent mud pits, and it’s…slightly effectual.

The last day, Sunday afternoon/evening, is the reason why I really came to Chicago for this. Against Me!, Patti Smith, and Bikini Kill play one after the other on the same stage. Sometime over the summer, I jokingly tweeted at Laura Jane Grace that I needed her to make sure that her and Smith’s and BK’s sets didn’t overlap because I needed to see all three of them. I know that LJG doesn’t have any control over stage order at a huge fest like Riot Fest, but I got my wish, and I decide it’s because of her. I head over to the stage almost an hour early, and get as close as I can. In the manner of fests, there are two big stages next to each other and they alternate which one is in set up mode and which one has a band playing on it, so even though I’m only seeing three more bands, I’m going to be in this spot for about six hours. I have already peed and also monitored my fluid intake so I won’t have to go to the bathroom. I have clif bars in my backpack. I have a book to read. I am not front and center, but I’m close enough to see the band members’ faces, far enough away to not have to worry about the pit, and near to the big screens on either side of the stage that I can look at those if I need to (and when I take pictures on my phone, I mostly take pictures of the screen, because as dusk falls my already-crappy phone camera gets even crappier). I’m surrounded by other women, and we are all so so ready.

The bands are great. How do I describe how great they are? What are the words I can use to convey how happy I am? Laura Jane Grace laughs her way through her set and Patti Smith rules the fucking stage. Bikini Kill is still making their own clothing and digging through thrift store discount bins for stuff to wear on stage. And to see Bikini Kill, who (along with their friends and the rest of the riot grrrl community) started their own revolution, who stand for so much and who put their voices in the mouths of so many girls and queer kids, to see them play for thousands and thousand of punks, to see them close out Riot Fest, to hear Kathleen Hanna talk on stage about the same things I’ve heard her talk about in 500-capacity theater venues…that was something. That was great.

Dare you to do what you want
Dare you to be who you will
Dare you to cry right out loud
“You get so emotional, baby”

Double dare ya,
double dare ya,
double dare ya

Girl-fuckin-friend yeah
-Bikini Kill, “Double Dare Ya”


A medium-sized brown dog, standing on a gravel path, stares across green grass to the ocean beyond. Her back is to the camera and she's wearing a green harness.
Hazel Dog checks out the ocean (sound? bay? big thing of water).

February 2020. Some friends of mine, who I used to dogsit for until they moved to California, ask if I want to dogsit for them in California. Instead of giving me money, they’re giving me a free trip to California, and use of their car. They live outside of San Francisco, at the tail end of one of the BART lines, in what seems to be a working class neighborhood that can’t decide if it’s sliding downward or sliding upward. Hazel (the dog) and I go to a different park every day, this one a big off-leash park on the coast where she can sniff at and play with other dogs, that one a walk through some redwoods up a big hill (though never quite high enough for a big vista). The air is sunny and crisp, and I find a little park on the coast a mile from their house, where I can go running every morning and appreciate doing a cardio workout at low altitude. I carry a jacket with me but hardly ever wear it. I go see Hamilton (yes, again) in San Francisco. I know the soundtrack by heart but every time I go to see it live, there’s too much to see and it’s overwhelming and my brain forgets to remember what happened. So, I go see it whenever I’m in a city that’s not NYC with tickets that are vaguely affordable and buy a beer in the lobby that costs like $15 fucking dollars holy shit. I’ve never seen Hamilton in the city where I live–just when I’m traveling. I find Chinatown by accident while I’m trying to find the City Lights Bookstore. I think to myself, I could live here, I just need to figure out how to quadruple my income. I understand why people want to live here. The air is just fucking fantastic, and since I barely need to leave the house once a day, I don’t care about the traffic. I write. I go on walks with the dog. I sleep as late as she’ll let me in the mornings. I cook messy things in the kitchen (everything I cook is messy to some degree). I have takeout burgers and takeout Korean food and a random gyro because that’s all I can find right before Hamilton. I see the ocean. I watch classic movies like Silence of the Lambs and Swing Time, and have a long conversation with a friend about genderqueerness and -phobia and Silence of the Lambs. It’s like a staycation, but since it’s not my own house I’m not distracted by all the projects and cleaning that I’m not doing. It’s just me, and my brain, and the dog. I’ve been casting my mind back to it the last six months, those last feelings of freedom, before I knew what was coming. Appreciating the sun and the sky with no impending sense that it might be gone soon.

Ripping off Scalzi, Day 3: Home

I am still (and maybe forever, now, at this point) trying to get into the habit of writing more than I am worrying about what I write about, so I am still taking inspiration from John Scalzi who wrote a 20 year retrospective on his blog, covering 30 different topics over the course of a month (it was in September 2018 if you want to go find them). Day three is home.

Since I’m one of the many millennials who can’t now/maybe can’t ever afford to buy a home, I think about this more metaphorically, I guess. Emotionally. Sometimes I think about my house, which doesn’t exist yet: It has hardwood floors, and windows that let in the sunlight. It’s an older house, not one of the modern boxy monstrosities they’ve been building in Denver for the last decade or so. There’s a garden in the back, though I imagine myself composting more than I imagine myself actually growing anything. There’s a dog or two. There’s a big wooden table where I can eat and work on projects. In this daydream, I am the sort of person who remembers to sweep baseboards and dust things and so everything is homey and clean and maybe a little shabby, but not dirty. I have hammocks in my backyard. I have a nice shade tree. I have money saved up to buy a new roof or a new water heater. I have a nice human that lives with me, whether a partner sort or a roommate sort isn’t important, but we agree on things like making soup on cold days is good, and a clean bathroom is healthy, and nobody eats anyone else’s food without asking first. I can walk to work, or bike there, in less than half an hour. Friends come over to play Dungeons and Dragons. It’s a very nice house.

Sometimes home is a place, right? We usually define home as a place.

I grew up amongst Quakers in the Western US, and for the past 15 years we’ve had our annual gathering in northern New Mexico, in this conference center in the high mesa country. It’s hot and buggy and the accommodations leave something to be desired (I just got an email that some of the older housing is not available this year due to “structural issues,” because they are letting buildings fall down instead of repairing or replacing them). It’s beautiful, don’t get me wrong. And it’s where some of the people I love best in the world go every year. But I don’t go for the mesas or the rocks or the sunsets or the little lizards. I go for the people. We’re changing sites next year, and some people have said that if the gathering isn’t in this one specific place, they won’t come. Which: what the fuck? You were never supposed to come for the scenery. We’re not there to worship the scenery. We’re supposed to be there for each other. You know that Billy Joel lyric, “I need you in my house, ’cause you’re my home”? Yeah. That. That’s how we’re supposed to be with each other. A friend of mine grew up in a lot of different houses during his childhood, and for him, when he thinks of home, he thinks of his church building. Across a lot of childhood moves, that was the place that stayed constant for him.

Other things that make me think of home: Roasting marshmallows over a campfire and making s’mores. Watching rain fall into a ditch in New Orleans. Powdered sugar down my front after eating beignets. Hanging my arms over the rail at a concert right before the band takes the stage. Standing on the top of a mountain, either after climbing it or right before bombing down it on my snowboard. Taking a deep breath while standing under the sky. Lying on a couch with a dog draped across my legs.

I’m in my mid 30s now (I don’t have to say late 30s until next year, fuck you), and am starting to realize that there’s some markers of “responsible adult” that I’m not just late in hitting, but may never hit. Home ownership is one of them. Having kids is another. And that feels fine, as long as I can remember not to compare myself to anyone else or what they’re doing and accomplishing. I would love to have my little square of the world all to myself, but it’s also a thing that I’ve learned to want because I’ve lived in the US for my entire life, and home ownership is huge here. So if I never get my own house, if I have roommates and apartments until the day that I head for the old folks home, how do I maintain that sense of home? Can I remember that home is a feeling, not a place? Is that how we win in capitalism?

Because love is free and life is cheap,
And as long as I’ve got me a place to sleep,
Some clothes on my back and some food to eat,
Then I can’t ask for anything more.
—Frank Turner, “If Ever I Stray”

Ripping off John Scalzi, Day One

Over at his blog Whatever, John Scalzi (a science fiction writer who I first started following on Twitter and then I started following his blog and then, finally, I started reading his books) has been celebrating 20 years of writing said blog by posting about a different topic every day. As he said on September 1st, “I will pick a topic and then discuss it through the prism of two decades of time, from 1998 through to today.” And I thought, that’s a good idea. I am still searching for the magic button that will get me back to writing every day, or at least regularly (no such button exists, but I’m searching for it anyway), and while I haven’t been writing in the same place, like he has, I have been blogging on and off for almost 20 years. For me, if I look back to 1998 I was still in high school; while Scalzi was in his 20s and professionally established. But it could be fun, and if you can’t write for three straight weeks about yourself, well, I don’t know what to tell you. (Also, yes, it’s September 16th, and yes, I’ve been watching Scalzi post and thinking, “Oh, I really should get on top of this posting thing” every day for the last two weeks.)

So, with that,

1998/2018 Day One: Cats.

I’m allergic to cats, and so don’t have any. The end.

 

 

 

 

…….

 

Okay just kidding. But also I have zero thoughts about cats from my high school days. They were not on my radar. When I was a baby and we lived in Louisiana, my family had a grey tabby cat named Peter that I think I have one hazy recollection of. Peter didn’t come with us to Colorado, and I’ve never seen a picture of him, and I honestly don’t know if he was re-homed, or if he ran away, or if we abandoned him, or if a gator got him. Growing up, my family had dogs, two of them: Sandy (a Shetland Sheepdog that we got when I was 6) and Cheyenne (a mutt that we got when I was 10). Sandy was my brother’s, officially, but more or less surrendered to the care of my mom; Cheyenne was mine and I’m pleased to say that I remembered to feed her and bathe her and take her to the vet (and she slept in my room, as opposed to Sandy, who slept in the basement for some reason) until I moved out for college.

The culture of owning dogs has changed a lot since 1998, or at least, my awareness of it has. We never carried bags to pick up dog poo on walks with our dogs, and I have no idea if we were terrible, inconsiderate neighbors or if dog poo bags weren’t a thing back then like they are now. We weren’t very diligent about obedience training them, either, but as they were both pretty low-key dogs, this didn’t have any terrible consequences for us humans or for the dogs. I particularly loved Cheyenne, as she was “my” dog, and when I was in the middle of more than my share of teenage adolescent angst, both my sister and my dog did quite a lot to get me through it, without either of them realizing they were doing so.

These days, in 2018, I have a lot of dogs but also no dogs. My roommates have two dogs, Maggie and George, who are both wonderful creatures. Maggie goes running with me, and cuddles with me on the couch, and hides from crying babies in my room. George is enormous (he’s a Malamute mix) and hairy and is smart enough to decide if he really wants to listen to you when you ask him to do something. (Maggie understands that if she does what you ask her to, then you will love her, and more than anything Maggie wants you to love her.) So I live with dogs, and they’re great dogs, but they’re not my dogs.

georgemaggie
Good dogs.

I also (somewhat accidentally) have a dogsitting business, because I told my friends Erin and Tanya that I would dogsit for their Great Danes Scarlett and Luka, and I did a good job so they recommended me to at least half a dozen friends. There’s Toli and Ellie (and Tate); Sketcher, Benedict, and Abigail; Winny and Marty; Chunk and Sally; Frankie and Moby; Callie; and Jude; good dogs all. I also put up a profile on Rover and that got me a few clients, and now I’m out of my house for usually at least 7 days out of the month (one of my normal clients, Marley, I’m usually with for one or two weekends a month). As a dogsitter, I beg of you, please train your dogs to walk nicely on a leash if nothing else (especially if you have more than one of them). I’m used to dogs not listening to commands to sit or come, because I’m not their person, but oh god, if they could only walk on a leash, everything would be wonderful.

I also do catsitting sometimes, but as I said above, I’m allergic to cats so that’s not my favorite (I think I’m not their favorite either, since I don’t let them cuddle me.) It gives me some extra money to put towards my student loans, and some quiet weekends–besides me and my adult roommates, and the dogs, there’s also a 5-year-old and an 18-month-old in the house, who I love dearly but who are also not always very quiet.

marley
Marley found a ball.

 

I would love, someday, to have a home of my own and a dog of my own. I have had a dog that was truly mine since…about 1998, now that I think about it. I moved out of my parents’ house in 2001, and Cheyenne died a few years after that, and ever since then, I haven’t had a dog of my own. But all these lovely loaner dogs who hang out with me for a few days at a time, not to mention Maggie and George, do a great deal to fill up the dog-shaped hole in my life. Good dogs.

Harry Potter is 20

1200px-Harry_Potter_wordmark.svg(My writing life is still slow. Which is why this is being posted a week after everyone else posted their Harry Potter reminisces.)

 
I work in a public library, which means I have frequent (and frequently random) conversations with customers about books and local politics and the idiocy of computers. Yesterday, a customer came up to me and started telling me that Harry Potter was 20 years old and all about her Harry Potter memories (she did this with no introduction or conversation opener whatsoever; just walked up to me while I was shelving holds and started chattering at me about Harry Potter). So that was basically how I celebrated the week, which is (in some small way) in keeping with my relationship with Harry Potter for the last 20 years.

 
I started reading the Harry Potter series in 2000. I remember because I read it on a road trip with my family, our last big trip as a family because I was graduating high school and my brother was graduating college and moving to Seattle. I started working at a bookstore the next year, and for the last three books (which came out in 2003, 2005, and 2007), I worked the Harry Potter release parties. When the Deathly Hallows came out, I was also working at a public library; I got to stay late the night before the release date and process the holds so that they would be ready for customers first thing in the morning. In short: I have been a part of getting the Harry Potter books into people’s hands for almost as long as I’ve been reading them, and in a lot of ways, this is fundamental to why I find them important books, and what they mean to me, beyond just being a fun and enjoyable story.

 
I was a reader, all through my childhood. It was one of the things that made me weird in school. I was never teased for it, I was never ostracized just because I was a reader, but I was definitely the kid that maxed out all the reading lists, got in trouble for reading in class, read while I was walking home from school, fucked up the curve on writing assignments because I read so much that my writing skill just followed right along. The other kids just acknowledged that this was a thing that I did. When I started reading Harry Potter (well past the magical formulating years of reader-hood when one book drops into your life and changes you), it was just another book, another fun story. This was also before social media; certainly before I was on the Internet with any regularity, before fandom became the behemoth it is today. Those early years of Harry Potter, maybe even up to the first book release party, I certainly knew that Harry Potter was popular, but it wasn’t the sort of thing it is now–where people discuss and bond over it.

 
It was the book release parties where I got to see the fandom for the first time, and more importantly, got to see something that I think adults who grow up reading (and who were often the “weird kid who reads” in their class at school) always want to see more of: kids who are fucking excited about books. Weird Reader Kids, all over the place, all in one bookstore, instead of scattered from classroom to classroom. Kids up past their bedtime, getting chocolate frogs and butterbeer from the bookstore coffee shop. Kids dressed up in wizard robes. Kids waiting in line for hours. Kids getting handed their books at midnight, and then sprinting for the door to get to their parents’ cars to get back home so they can start reading.

 
They were late nights, after the book release parties, when me and my coworkers would be at work until the wee hours of the morning cleaning up the remnants of chocolate milks and fire whiskies and double espressos that the parents needed to stay up. Cookie crumbs and pastry wrappers. Dirty coffee mugs and plates. I didn’t care. I loved it. I wanted to make books exciting and fun for these kids in a way that I never got to experience.

 
The movies kept the community going, I think, in between books, and then after the books were done. The movies pulled in a lot of people who weren’t Weird Reader kids, and even though I haven’t seen most of them since they were in theaters, they broadened and cemented the fandom. I went to a couple movie release nights and they were much the same mix of fun, overwhelming, noisy nerddom as the book releases. And by then, the books had been around long enough that older siblings were indoctrinating younger siblings. Livejournal was a thing. Tumblr started to exist. Fan fiction started leaking out of its previously-ironclad hinterlands. And Harry truly stepped out of the books and into our heads.

 
Even though I don’t actively participate in the fandom that much, so much of that fandom is what Harry Potter is for me. I don’t write fanfic or cosplay or draw fan art or even really get into long discussions with people online. I like the books. I like the stories. But really, what I love–what I adore–is that this books are so huge, took over so much of the culture. And maybe the kids who read during class feel a little less weird these days than they did when I was young. Maybe they can talk about Harry with their classmates, as well as in online forums. I don’t know exactly when nerdy fandom went from a thing that only happened at Comic Cons to a thing that happened all over the internet; it seemed fully fledged and omnipresent by the time I happened upon it. But I’m really happy that this is a thing in the world that exists, even though I only ever observe it from the sidelines.

 
At some point (and I resisted doing this for a long time because I hate having to give my email address to things because then everyone sends you email) (Also, come on, I’m an adult, I don’t need Sorting, I am too old, sniff sniff), I went over to Pottermore and got myself Sorted. It was…weirdly emotional, and resonant, and flattering, when I got Sorted into Hufflepuff. So, here’s me:
House: Hufflepuff
Patronus: Occamy
Wand: Willow wood w/dragon heartstring

 

PS. Also, one thing I discovered in the week it took me to write this: Harry Potter might be 20, but “Wannabe” by the Spice Girls is apparently 21 this week, and that makes me feel old in a way that Harry Potter does not.

Down in the Hole

“Well I’ll tell you one thing that I know.
You don’t face your demons down, 
You gotta grapple ’em, Jack, and pin ’em to the ground.”
–Joe Strummer, “Long Shadow”
Every June, I go to a conference in the mesa country in northern New Mexico. There’s a couple hundred people of all ages, no cell phone signals, sleeping in rustic cabins that have spiders and occasionally rodents, bitey juniper gnats, no cars. It’s great.
The high school and college aged kids stay together in their own building, and most of the rest of us only see them at mealtimes or maybe for an hour or two a day. They do their thing, and their thing is good. In less than a week they assemble and foster a community so strong it carries them the rest of the year (or at least it did, when I was part of that group, and I see no signs that it’s changed with the passage of time. If anything, the creation of social media has helped them keep the community connected over the rest of the year). This year, even though I never saw the kids for more than an hour or two a day, I found myself buoyed up every time I was with them or thought about them. They are such a great and fantastic group of kids (they are not all kids, as the age group goes up to about 22, but I considered myself a kid when I was part of the group and the terminology stuck). Strong and funny, grappling with the world, struggling and dancing and listening to each other. They’re not angels, they’re just regular human teenagers, and they amaze me. I am in awe of them even though/because I know they struggle. I know some of them have mental health issues or substance abuse issues. General life-as-a-teenager issues. Some of them have lost dearly beloved family members, and that shreds you at any age. But they’re stunning people all the same.
It’s hard to even try to describe how happy they make me, partly because there’s no way to do it without sounding hokey, and partly because I’m afraid that if they knew how much someone was watching and enjoying them, it would make them feel self-conscious and weird and they would stop being so fabulous. But they’re the light of the world, okay? They’re great and amazing. I see differences in how I was as a teenager/young adult and how they are now and they are so far ahead of me and so wise. I can’t wait to see these kids run the world. That’s what I was thinking that week, six months ago, in June 2016.
And then on the drive home, still going in and out of cell service, I started checking Twitter and Reddit and found out about the shooting in Orlando that had happened the night before. And just like that, all my rosy and optimistic thoughts about The Youth, they all evaporated, replaced with dread and sorrow and regret.
Because I was supposed to make this world safe for the queer kids of the future, black kids of the future, Latino kids of the future, Muslim kids of the future. I was once The Youth, and I charged myself with changing the world. But I haven’t. We haven’t. Shit like Matt Shepherd’s murder and the shooting at Columbine, those were supposed to be the high water mark of shittery. Not the floor. Michael Brown’s death, Trayvon Martin’s—hell, Emmett Till’s—were supposed to be the cultural turning point. Not the beginning of a new season of violence on black men. And now we have these beautiful kids—queer and not—that are going out into a world that isn’t safe for them. And what do we do? What do I tell them?
So I’ve been carrying that around with me, trying to figure out how to write about it, trying to find some wisdom, and in the meantime 2016 carried on being the oozing Vogon of a year that it is, and now it’s December and some aged orange troll is going to be president and it’s so much worse. I admit that I was one of those who was just waiting for the election to be over, because I assumed that Clinton would win and we could all move on with our lives. I did not give one second of thought to what would happen if Trump won. (This is, incidentally, me showing off my White People Problems, because when I read post-election reactions of PoC on Twitter, I was reminded that African-Americans—particularly older African-Americans—have always known just how racist America is, and that white people still don’t know.) A bunch of old white people who will die before the world fully catches on fire have burdened us (and the world) with a 70-year-old man-baby who may very well destroy the country and/or the planet and/or all the civil rights gains we’ve spent the last 100 years trying to attain, and we’re going to be paying for that decision for decades. Now it feels like I have to fight the battles of my mother and grandmother all over again. And I still don’t know what to tell these kids, these kids who don’t even know how amazing they are.
In my worst moments, I think that maybe we should be raising our kids to be harder. If I had less of a “saving people thing” (as Hermione puts it), if I didn’t care so goddamn much, this wouldn’t be so hard to live through. I know there’s some that do that, that teach their kids to encase themselves behind walls so that the world can’t crush them. But then, I don’t know the difference between hiding your light and extinguishing it. Maybe there isn’t one. I don’t know. I don’t know what to tell you, you beautiful kids. I’m sorry. I wanted the world to be different. I assumed it was different. Getting bruised by the world is inevitable, and nobody can keep you safe from that. But now I’m worried that you might just get crushed, and that’s different.
I don’t know what to do to survive this, to fix it.
I had a conversation with a friend of mine when we were 17 or so. She’s social justice-y like me, and in our fabulous teenage naivete we both felt like the larger historical battles against injustice were done. Slavery had been abolished, Jim Crow was over, women could vote and have abortions. It seemed like the last big cultural battle left was gay civil rights, and then after that we’d just mop up some of the leftovers that hadn’t 100% gotten the message about how we do things now, places like Jasper, TX. But, we thought, we could relax. It was done. We just had to finish what had been started, tackle the totally surmountable problems of injustice in Palestine and famine in Africa, and we’d be good. The world would be good.
But progress isn’t inevitable. I learned that this year (more importantly, I learned that that was a thing that I thought was true). There is no moral arc of history, there’s nothing about our culture or species that says we can’t also go backwards, erase everything we did fifty years ago. There’s nothing in our culture or history that is assured. We are stuck in this shitshow for the duration. Water goes over the wheel and right straight back into the same fetid pond.
I don’t know if it’s a silver lining, precisely, but there is one small comfort in the whole “progress is not inevitable” truth: we need you. We won’t be okay without you showing up and demanding better of us. You can’t sit this one out because on some lower level you think it’ll happen with or without you. It won’t happen. We won’t move forward.
So do the thing.
Write the story. Go to the protest or the city council meeting. Start the band. Sign the petition. Plant the garden. There are millions of things that won’t get done unless we do them.
One of my favorite shows is The West Wing. And one of the most famous and quoted pieces of dialogue, from anywhere in the whole series, is in the second season, when Leo (the White House Chief of Staff) convinces Josh (the Deputy Chief of Staff) that it’s okay to need help. That it’s okay to not be okay. This is the story that Leo tells Josh:
This guy’s walking down a street when he falls in a hole. The walls are so steep, he can’t get out. A doctor passes by, and the guy shouts up, “Hey you, can you help me out?” The doctor writes a prescription, throws it down in the hole and moves on. Then a priest comes along, and the guy shouts up “Father, I’m down in this hole, can you help me out?” The priest writes out a prayer, throws it down in the hole and moves on. Then a friend walks by. “Hey Joe, it’s me, can you help me out?” And the friend jumps in the hole. Our guy says, “Are you stupid? Now we’re both down here.” The friend says, “Yeah, but I’ve been down here before, and I know the way out.”
I’ll be honest: I don’t know the way out of the hole. I don’t know if anyone really does. What the United States is trying to accomplish, has been trying to accomplish since our infancy, is knit together many disparate groups into one cohesive and just whole. It’s not something that’s ever been successfully done, on a large scale, in the history of the world.
But I’m in this hole with you. Because you’re my friend. The rest we’ll figure out together.

Ska Summit, 2003 (Part 1)

I’ve been going through boxes of old papers (and thinking that someday maybe I’ll go through the Documents file on my computer), seeing what I can get rid of, when I came across this travel journal from 2003 written on looseleaf notepaper. Originally, I was going to just type it up and store it on my hard drive, but I decided to post it here for a couple reasons. One is that I wasn’t actually a bad writer when I was 20 (when I was typing it up I did clean up some grammar/sentence structure things, but really not that much). I’m a little disappointed that I’m not a demonstrably better writer 13 years on, actually. I feel like I should be embarrassed by my 20-year-old writer self, but skill-wise, she’s still pretty close to my 34-year-old self, I guess. The other thing is that I considered myself to be a pretty timid and non-risk-taking teenager/adolescent/young adult. I was never a sneak-out-at-night-and-go-drinking teenager. My friends and I never bombed down I-25 at 110 miles per hour with the music as loud as it could go just to see if we could (well, there was that one time…). But I was reading this and realizing, I did some potentially stupid things, I just didn’t think of them as stupid at the time. And still don’t think of them as stupid, which is maybe partly why I identify as a non-risk-taker. But impulsively driving to Vegas with five other kids and sleeping in a hotel on the strip and going to a ska show? Potentially dangerous. Potentially dumbass kid thing. It was weirdly reassuring to know that I was a dumbass when I was 20.

So, here it is. Broken up over several entries, I’m sure. Also I don’t have pictures to go with this because I didn’t have a digital camera in 2003. Use your imagination, I suppose.

 

Part One

Journey to the Center of the Earth

Colorado

Friday, March 28

6:00am


A god-awful hour for high school and college kids. We–Andy, Dan, Joe, Kyle, Nick, and me–met at King Soopers while the sun is still streaked across the sky in purple and orange. A quick run through the store to grab donuts, beef jerky, Mountain Dew, coffee, and water; another quick stop for gas, and we’re on our way.

It snowed on Thursday night and Colorado was cold and windy, the highway slushy and wet. We piled into two cars with a walkie talkie in each. Most of the first several hours were spent trash talking each other through the walkies.

The quickest road out of Colorado going west is I-70, which climbs through the foothills and goes up and over Vail Pass, and then slides down the other side, into the mesa country of western Colorado and then out into Utah. People live all along it. It’s the road skiers take to most Colorado ski resorts. Mining towns are littered all along it (or, more accurately, it was built along the old road that connected mining towns to Denver). It’s our way out of Colorado, and almost all the way through Utah, until it dead-ends at I-15 and we turn south.

We had to stop in Vail because the slush kicked up so much dirt behind the cars in front of us that Kyle’s car ran out of windshield wiper fluid. We tried to get to an exit but Kyle ended up pulling into a turnout–he couldn’t see at all and was hanging his head out the window, Ace-Ventura style.

If you’ve lived in Colorado for a long time, like I have, and spent a lot of time camping and backpacking and skiing in the mountains, like I have, the mountains develop a personality. They’re huge megalithic chunks of rock that alternate between not caring if you live or die, and actively trying to destroy you. There is no such thing as friendship with the mountains–the most you can hope for, if you know them well enough, is a sort of benevolence. Everything you need is there, if you know where to look, but the mountain won’t help you find it. It’s put it there, and that better be enough. You don’t think about jet streams and cold fronts in the nature, it’s more like nature being in a bad mood. Once I was one an eight-day backpacking trip. It rained for six of the eight days. By the fourth or fifth day, we were tired of the mountain and cursing the weather gods, because it felt like they were toying with us. That’s what the mountains do: they toy with you. It can be beautiful sunny weather at 11:00 in the morning, and by 1:00 it’s raining and you’re hiding from lightning and digging in your pack for long underwear. Beautiful and stunning landscapes hide loose rocks that can sprain your ankle (a minor injury, normally, but potentially lethal when you’re twenty miles from the nearest road and nobody knows where you are). The mountains are full of deer and elk and everybody wants to see them, while avoiding attracting the attention of a cougar or a bear, forgetting that the supposedly harmless herbivores kill more people every year. What’s beautiful is dangerous, the seemingly harmless can be deadly, and only bitter experience can teach you the difference. That’s what the mountains have taught me.

Humans’ attitudes towards the mountains vacilate between changing it, controlling it, and leaving it exactly the same. We build towns and highways, carve trails, put houses on hilltops. We chop trees and control the animal population, which can no longer control itself. But then something happens that’s out of our control, like a wildfire that destroys thousands of acres of vegetation. It’s a vicious and brutal process, but a natural one, part of the mountain reforging and renewing itself, keeping a balance. Given time, the landscape can renew itself, but humans are impatient. We don’t give the mountain any time anymore. After a forest fire we go in and plant quick-growing seeds that will take root and lessen the eroding. Back and forth, hot and cold, that’s how the mountains are. You learn to live with them because they sure as hell don’t care if they live with you. And they won’t ever be subdued.

While I stared out the window for a good four hours thinking about all this, the mountains slid past us, the highway threading between and around and through the peaks. We held our breath going through tunnels (except for the Eisenhower tunnel, which is too long) and listened to music. Traveling to a show, getting there is half the fun. You listen to music and in the back of your mind is the thought, “By this time tomorrow I’ll be hearing this music live and it will rock.” As for me, I don’t have a lot of friends who will tolerate ska, let alone seek it out. Dan and Andy are the only guys on this trip that I really know, and everyone else is friends of theirs.

When we stopped at a gas station in Grand Junction, Andy helped himself to some of Dan’s CDs in the other car. We weren’t five minutes out of the gas station when Dan came crackling over the walkie talkie. “Hey fuckers!”

“Yes, bastard?” returned Andy.

“Do you have my CDs?”

“Define ‘have’.”

“Are you holding them in your possession, asshole.”

We couldn’t answer for several seconds because we were laughing too hard. Finally Andy managed to say, “Well, maybe.”

“Fuckers.”

We turned up the music and held the walkie talkie up to the speaker.

Utah

Stupid Utah.

The first impression that I have of Utah is a big blank tan expanse of nothing. The sign that says “Now Leaving Colorful Colorado” is painfully accurate and it seems like not only have you left Colorado, but all the color as well. The sign that said “Caution: Eagles on Highway” caused some discussion. Eagles doing what? Something dangerous?

We also spent some time in Utah seeing how fast we could get Andy’s car to go. I-70 in Utah is long, flat, and empty, and there’s nothing to hit (except eagles, apparently). We got up to 122mph before fear got the better of us. Best not to die a horrific fiery death before the Ska Summit.

We stopped in a town called Green River for gas and lunch. One thing I’ve observed about people: if you’re a freak wandering around alone, no one takes any notice of you. I can wander around Denver by myself in all my punk/ska clothes and nobody cares, except sometimes to ask polite (if silly) questions. “Toasters? So you like kitchen appliances, eh?” “Avoid One what?” “H2O? I also like water.” But when you’re part of a posse of freaks, people are a lot more likely to fear and despise you–and a lot more likely to show it. In Utah, a bunch of spiky, blue- and red-haired freaks wearing trench coats and patch-covered hoodies, are trouble. The ladies at Burger King wouldn’t speak to us, the customers all stared at us, and the gas station attendant wouldn’t sell us cigarettes.

Our growing feelings of dislike toward Utah increased when Andy, Brian, and Nick were pulled over by an unmarked state trooper. He didn’t use radar, didn’t check the ownership of the vehicle, and told us there was snow and ice on the (totally dry) mountain pass, and that they might crash and “not know what happened.” (“Wow, we seem to be at the bottom of a canyon. How’d that happen?”) What’s more, Kyle, Dan, Joe, and me in the other car kept going and pulled off at the next exit, but Andy and them didn’t. We wasted an hour trying to find them. Stupid Utah.

Throwdown #16, part 2

citgoOn my way put of Boston. The clouds are shining silver in the early morning sun. Most people at the Buck are probably still sleeping.

I heard “Disappearing.” I heard “Haji.” The Bosstones can still, no matter what else is going on in my head, make me forget everything and have a good time. I danced in a skanking pit (not mosh pit, since everyone was skanking, I guess it was a skanking pit). I hugged friends. I made new friends.

And I figured out something that feels so stupid and elementary, something that people have been trying to tell me for years. Since I was a kid. To say what I learned, I have to first describe some things that are not my favorite things about myself.

I’m pretty shy and introverted. I like structure and predictability. I don’t like having to talk loud (though I do, eventually, when I come out of my shell or get hyper). I don’t hardly drink, and my ability to cope with loud and unpredictable and silly drunk people can be low, especially when they’re present in large quantities. So at large drunken unstructured gatherings—which the 737 parties at the Buck are, in great measure—I’m afraid that I come across as hating fun, or being uptight, or unfriendly, because I tend to sit in the corner and check my phone instead of talking to people. And part of me doesn’t understand why people have to get so loud (because they’re drunk), or belligerent (because drunk) or sick (because drunk). Since I don’t drink enough to get drunk, and because I’m inhibited enough that I’m actively afraid of becoming disinhibited, drunken revelries have never made entire sense to me. And, like any big social group, there’s gossip and drama and people who don’t like each other and people who talk shit (and yes, I am occasionally one of those people). As an introvert, this might be the part that baffles me most. If you don’t like a person, why put up with their presence? Why make nice to them? Don’t pick a fight or anything, but why waste your energy? I don’t want to throw anybody—no, nobody—out of the 737, but Jesus H Christ, sometimes I really just wish we could behave like motherfucking adults (again, I am including myself). I try to watch myself because I know I can be a judgmental person, and this is one area where I catch myself at it a lot.

But I realized this week, this thing that Quakers have been telling me my whole life. About love and acceptance. Yes, the 737 are a bunch of drunken immature rail-hogging bastards (including me. Minus the drunkenness). But they are also generous and compassionate and patient with each other—and with me. The same guy who got belligerent with the HOB staff and thrown out of the show checked in with me when it was clear that I was on the edge of an anxiety attack in the middle of the party, and then he moved over thirty people to another room just to give me space like it was was no big thing at all. The one who smokes pot in the bathroom also gave me food and wouldn’t let me pay him back. My friend’s boyfriend, who mostly comes to be with his girlfriend, not to hang with the group or even see the band, bought me dinner and held my bag for me so I could ride the rail and not deal with coat check. The woman who has made some…questionable?…romantic choices is also the one who took me away from the party and hugged me and let me cry when I was upset about an ex. People tolerate me being the rude person texting through conversations. People pick up merch and mail things to people who couldn’t come to the show. And if I couldn’t learn to deal with the drunken madness and revelry, I would also miss all that compassion and hospitality and acceptance. Lenny Lashley is kind of a mess but he makes some beautiful goddamn music.

And yeah, I know that not all bad behavior can be overlooked in favor of a person’s better nature. But a lot can, and probably a lot more than I think possible. In my family, being accepted into a gathering—hell, being respected as a person—is predicated on not causing a ruckus. I can’t tell you how foreign and strange and liberating it is to realize that that isn’t always true. Lord knows those mad drunken bastards have been overlooking and forgiving quite a few of my own faults over all these years while I figured that out. I would be more afraid to talk about this side of myself that I don’t like if I wasn’t reasonably certain that the 737—who are fairly perceptive—hadn’t already observed it and forgiven it in me. I’m sure I’m not as good at hiding it as I like to think.

Thank you guys, so much, so much more than I can say. For accepting and forgiving me. For letting me hang out with you. For not treating me as I sometimes was tempted to treat you. You are all such beautiful, worthy people. Don’t ever change.

nola state of mind

IMG_0247.JPG I wrote down this quote years ago, because it is probably the closest description I’ve read to what it feels like to look at the destruction of a familiar place following a natural disaster. I grew up spending a lot of time in New Orleans, and after Katrina, I went down there again. And seeing the pictures on TV do not prepare you in the least for seeing it in person. And seeing other peoples’ homes–I drove around half the city before going to my grandmother’s house to see what had happened there–does not prepare you to see a familiar place, familiar belongings, strewn about in an entirely unfamiliar way. It assaults your consciousness. I did not realize just what a deep need humanity has for order, until I lived for six months in a place of profound disorder.

Which is to say I want to hug everyone in Oklahoma right now.

“It’s like a lobotomy, seeing destruction on this scale. Not just the outsize scale, but the mind-numbing density within the scale. The sheer sensory overload of detail and texture. That football field-sized wilderness of junk and rubble that used to be a trade school, you could find entire geographies of ruin within that expanse. Hills, butes, hummocks, valleys and craters, broad flats cut through with twisting gullies, shredded clothes, shoes, papers, mangled furniture, dark oily clumps of decomposing human matter, rebar twisted and raveled like giant spaghetti balls. And then something impossible and ridiculous, an easy chair, a thickly upholstered loveseat, perched at the top of a free-standing spiral staircase that spun off into nowhere. It didn’t make sense. Port-au-Prince was making me stupid.” –Ben Fountain (four months after the earthquake in Haiti in January 2010)

when she was born

megbabyeditWhen she was born, my father’s heart broke, and one of the things that fell out and rolled under the couch and was never found was the the idea that we can make comforting assumptions about how our children are greeted into this world.

The doctor who diagnosed her with an intestinal blockage gave my father the option of withholding the surgery and letting her die, so that he wouldn’t have to go home with a retarded child.

And when my dad called his mother to tell her about her new granddaughter, she tried to console him by saying that, “At least she’s not a mongoloid.” And he had to take a deep breath and say the words that made it true: his daughter was a mongoloid. Was retarded. Was damaged.

But when he called his friends Artie and Margie, and told them, they said,

“If you don’t want her, we will take her.”

We kept her.
She turned 27 last month.

megballetedit

The Sounds of the City, Sometimes They Comfort Me…

IMG_0129.JPGThis is an excerpt of a piece I wrote about New York this semester, about why I moved here. I really like this one part so I thought I’d share.

When I was a kid, New York was NYPD Blue, the title sequence with fireworks and the Chinese dragon and percussive subways. Andy Sipowicz’s violent bluntness and Donna Abondando’s flattened vowels.

New York was gardens in fire escapes and trees growing in Brooklyn.

New York was Broadway musicals like Cats. Bright lights and businesses open 24 hours. Where I grew up, the only thing open 24 hours was the grocery store and the gas station.

New York was where the Teenage Mutant Ninja Turtles lived. Spider-Man, Batman, the Gargoyles. The X-Men live up the road in Westchester. “11th and Bleecker? (sniff, sniff)…Nope, this is only 9th St! Get it?” (I didn’t get it, but I loved it.) Everybody (except maybe Batman) made use of the sewers and the subways. Before I knew about the actual homeless people who live down there, there were the Morlocks, unsightly mutants in the X-Men universe who live in the sewers because they’ll be lynched if they venture aboveground.

A little bit later, as a teenager, New York was punk. Cigarette smoke and graffiti. Mutilated subway cars. Jesus died for somebody’s sins but not mine.

New York was black and white photos of skinny, shaggy-haired men in sunglasses looking unimpressed. Rock rock, Rockaway Beach. Rock rock, Rockaway Beach.

The Wetlands had all-ages punk and ska matinees every week. I didn’t know “Take the A Train,” but “Underground Town” by the Toasters was in pretty constant rotation. Nervous nun with a heavy bag shakes her head at the man in drag, in the underground town, riding on the subway in New York City.

Maybe England gave punk its fashion sense, but New York gave it a soul. Six years ago, a very hot summer night. Avenue A, with my friends, hanging tight…The air was tense, muggy as fuck, Lower East Side, running amok!

The Bouncing Souls are actually from New Jersey, but I didn’t discriminate. Punkers should be pale and pasty. The pizza here is fierce and tasty. East Coast! Fuck you! (“Fuck you” here said in a self-congratulatory way, as in, “I dismiss everywhere that is not the northeastern seaboard”.)

New York was about making your own rules and carving out your own space. New York was self-sufficiency and exploration, where only the resourceful survive.

What I didn’t see then was that with self-sufficiency comes loneliness. And while stories get written about people who have survived, who’ve become legendary, below them are layers and layers of people who came here with dreams bright in their hearts and who left with nothing but ashes. Or who didn’t escape at all.

You never read stories about them.