So, I have some further thoughts/epilogue/ramblings about the X-Tinction Agenda tradepaperbacks that I read this spring, but very little ability/motivation to organize them? Sorry about that. I swear I’m doing my best here, in that sometimes the best I can do is to lower my standards so that I post anything at all.
On Insults: There is a scene—a couple of scenes, actually—where the X-Men encounter, for the first time, a Genoshan racial slur: “genejoke.” When the word is directed at her, Rogue says (while also punching the magistrates in the face), “That word sounds like an insult, fella.” Storm reacts similarly: “That word—‘genejoke’—I do not like it.” What Rogue and Storm (and Chris Claremont) understand is that what makes a slur a slur isn’t the word itself, but how the word is used. Storm and Rogue have never heard “genejoke” before landing on Genosha, but they’ve heard “mutie” plenty, and they instinctively know that the words are similar, and are only used by people who think they’re garbage. They would never have patience with the disingenuous people who tell you that you’re just being oversensitive when they call your names because “a faggot is just a bundle of sticks, come on, man, lighten up.” You don’t have to listen to them. You know, and so do Storm and Rogue: an insult is an insult even if you don’t understand the exact word being used.
On Hammer Bay: I forgot to note in either of my previous entries, but Genosha’s capital is described by Claremont as “the most dynamically modern city on earth.” I read this book before the Black Panther movie came out, and I’m not sure where Wakanda was in the Marvel Universe at this time (still hiding behind its lying concealing forcefield?) but I want to note a couple things: One, Hammer Bay, like the United States, has reached its exalted status on the backs of slaves, and any discussion or evaluation of one of those qualities without addressing the other one is kind of a farce. The other is that Wakanda exists (in the Marvel universe, anyway): a dynamically modern society that was never on either side of slavery. Never colonizer or colonized. And I know there’s no real-world analog of Wakanda—yet. But we’re capable of imagining it, right? We accept Wakanda in the Marvel universe. It exists. I just think that, if we can look to science fiction for shit like laser guns and flying cars and then turn those things (or things like them) into reality, surely we can do that with Wakanda too. We can address our past and finally move past it. Surely that’s a possibility, both within the realm of our imaginations and within our abilities as humans.
On Women’s Bodies: Problematic boobage and weirdly long legs and tiny waists have been discussed elsewhere on the Internet, but I just want to point to the President of Genosha here to further my hypothesis that some significant number of comics artists in the 1980s (in this case, Jon Bogdanove) just straight up did not know what women look like.
Please also note that Hodge, the creepy and insane mechanical cyborg whose human head is the only remnant of his previous body, is literally wearing a cardboard cutout of a suit around his neck to try and conceal his monstrous insect-like body behind him. You are totally fooling all of us, dude. Best disguise ever.
This book is, in a way, everything I both love and hate about comics. I love the various personalities of the X-Men (in the first half of the book anyway; after that they start sniping and backbiting each other and it’s like, come on guys, the magistrates are trying to murder and enslave you, maybe prioritize other things just now) and how they work together and kick ass and never leave anyone behind. I love Claremont’s socio-political commentary, in how he translates all these historical and philosophical ideas into a new medium. But I really dislike the 1980s female body as drawn in comics, and I’m not super amped about the extra-bulked up male characters, either.