People keep telling me and my friend (henceforth referred to as Roommate) that the WB* show Arrow gets good. People whose tastes I want to respect tell me this. I got about eight episodes through season one and couldn’t take the emo angsty-ness anymore, and quit apparently “just before it gets good.”
So. I’m trying to suffer through season one and to make it to season two (which is good?). TRYING SO HARD, INTERNET. (Except now the people who tell me that season two is really good are telling me that season three is not so much. Dammit.) Blogging makes suffering bearable.
Also I want to say this disclaimer at the outset: If you like Arrow (even from the very first episode), that is all well and good and fine. I do not judge people who like the things they like. I want to say this now, and directly, because I know that when somebody is insulting and laughing at a show that you like, it’s easy to take that personally. Hell, I like Supernatural. We all like shows that other people think are dumb. I (so far at least) don’t like this show, and I’m not hiding that I don’t like the show; that doesn’t mean the show doesn’t deserve to be liked by other people. Okay? Okay.
Episode One: The Mighty Ragamuffin.
We open with Oliver Queen, who looks suspiciously like Chris O’Donnell, getting rescued from a desert island that he’s been stranded on. The mighty ragamuffin’s body is very (20%!) scarred, but otherwise not-Chris-O’Donnell is totally healthy and well-toned and not malnourished at all. He’s taken to a hospital somewhere, and his family is flown in, and his mom has a weird lack of urgency about needing to greet or hug her son, instead spending the bulk of the scene talking to the doctor in the hallway and not to her long-lost, presumed-dead son. There’s also a younger sister who I’m sure will become annoying in true WB fashion in short order.
New scene! We meet Laurel, an assistant district attorney (?) who is working in the law firm that Matthew Murdock probably should have joined rather than starting his own law firm in Hell’s Kitchen. She’s upset that not-Chris-O’Donnell has been found. Why? I’m sure it will be explained. At length. In greater depth than necessary.
Also, I will spend at least the next four episodes confusing Laurel and the sister, because we can only cast willowy female brunettes in this show and all white people look the same.
“After five years, everything that was once familiar is now unrecognizable.” That is some brilliant fucking voiceover script right there. Well done, writing staff. Not-Chris-O’Donnell is checking out his awesome hot body that is covered in scars. Awesome hotness that is covered in scars? POOR WOUNDED BOY. ME AND MY INNER EMO TEENAGE GIRL WILL FIX YOU.
Awkward family dinner time! The sister (or maybe Laurel, though I think Laurel doesn’t talk to anyone from the Queen family) asks what it was like on the island, which is apparently an inappropriate question and leads to awkward silence. Not-Chris-O’Donnell guesses that Walter is sleeping with his mom, at which point she tells him that she married Walter, and HOW IS THIS NOT THE FIRST THING YOU TELL YOUR SON WHEN YOU SAW HIM IN THE HOSPITAL THREE SCENES AGO. He found out about the past five years of Superbowl winners before he found out his mom remarried. That’s fucked up.
Not-Chris-O’Donnell’s friend wants to plan a party. Instead (in addition?) not-Chris-O’Donnell visits Laurel, who it turns out is upset because not-Chris-O’Donnell was her boyfriend until he took her sister on a yacht to screw her and then the yacht crash and her sister died and so did not-Chris-O’Donnell (except he didn’t). Okay. That’s actually a totally solid reason to not want to see a person ever again. I’m sure she will remain in this state of totally understandable aversion to his existence for at least three episodes.
Kidnapping! Guns! Guys in scary masks! Not-Chris-O’Donnell kicks their asses all on his own, then tells the detective (who is being all kinds of victim-blamey to a guy who just got kidnapped. But it’s fine because not-Chris-O’Donnell’s pre-desert island self was apparently a jerk, and the detective is just being a professional. Also this town only has twelve people in it) that a man in a hood rescued him. Sneaky devil. I assume his mom called the cops but that isn’t really explained. Also how long was he gone for? Did they realize he’d been kidnapped before he got back to his house? Maybe his friend (who also got kidnapped) insisted on calling the cops?
Best not to think about it. Not-Chris-O’Donnell is unfazed by being kidnapped, and so are we. He ducks away from the personal security his mom has hired and escapes to an abandoned factory that belongs to his family and builds himself a secret lair/personal home gym in the space of two hours and with only a band saw to assist him. I admit to being totally jealous of the pull-up ladder thing he can do. Also, building your secret lair in your family’s abandoned factory is the best idea that can have no potential for unforeseen consequences and will definitely never be discovered. We also learn that not-Chris-O’Donnell is really good with arrows, and has a green hoodie that totally disguises his identity. And that he is after justice. JUSTICE.
Onward to the welcome home party for not-Chris-O’Donnell. He is trying to be the sexy playboy when people are looking at him and dark and emo when people look away. Good luck with that. He spots his sister (at least I’m pretty sure it’s his sister and not Laurel) and OH NO DRAMA. She’s angry. Angry at him for being dead? But he’s not dead. She’s angry that he’s still alive? She’s angry that he left her all alone, like he had some choice in the matter? Also she’s accusing him of “acting like the last five years didn’t happen,” or that everything’s hunky-dory now. Girl, I know you don’t know this, but your brother spent most of the day getting kidnapped and then building himself a secret lair to capture criminals with. Your brother is not fine. He thinks he’s the goddamn Batman. Are you mad that he’s acting like a protective older brother? Is that not what older brothers do? Did you expect him to hand you some Grey Goose and a gram of coke and tell you to have fun?
Oh good, Laurel’s at the party too. This is the best party, you guys.
Laurel offers to be a sympathetic ear if he needs to talk about what he’s been through. Well, I’m glad somebody has offered to be this person, because damn does this guy need some therapy, but Laurel, you should not be that person. You should be mad at him forever, or at least for like a week. You know what’s great, Laurel? Boundaries. I advise you to get you some.
Climactic fight scene. The corrupt business owner that not-Chris-O’Donnell was trying to blackmail (because JUSTICE) refuses to send the money to the place, so not-Chris-O’Donnell arrives to beat it out of him with arrows. A fight scene ensues, with lots of machine guns and breaking glass and not-Chris-O’Donnell hitting people and stuff, and it’s actually going pretty well (in terms of being just absolutely fun to watch, well-choreographed and well-edited) until not-Chris-O’Donnell throws an arrow into the barrel of the bad guy’s gun and makes it misfire while simultaneously leaping backwards over a couch. Roommate and I watched it twice to revel in the breaking of reality–both of the laws of physics allowing this farce and of the terrible CGI special effects that are supposed to lead us to believe that such a thing happened. This is no Legolas-surfing-down-the-stairs-on-a-shield-while-slaying-orcs, guys. This is just plain ridiculous.
Also, I gotta say, having a hood pulled down over your eyes while you’re trying to fight crime seems like putting yourself at a disadvantage. Maybe it’s okay though because he’s impervious to bullets. It’s his superpower.
Turns out that not-Chris-O’Donnell did somehow get the money he was after (“via an arrow” is the explanation that Roommate offers) and Robin Hoods it to the people who deserve it, because while stuck on the desert island becoming an expert in archery and hand-to-hand fighting he also learned all about hacking secure banking systems.
…Does anyone ever realize that the arrival of the vigilante in the hood on the scene exactly coincides with not-Chris-O’Donnell’s return to Starling City? I mean, seriously.
*I know it’s been the CW for like 20 years now. I don’t care. It’ll always be the Dawson’s Creek network to me.